Baker-Berry Current Exhibits

EL AUGE DEL LIBRO DE ARTISTA EN AMÉRICA LATINA

 exhibit poster for Welcome 26s

The Rise of the Artists' Book in Latin America

Artists books can be in inexpensive, commercially printed books based on artist’s concept; entirely handmade, sometimes fantastical versions of what a book can be; as well as classically beautiful letterpress printed tomes. These four presses show the range of formats and purpose artists books inspire.

Exhibit curated by Laura Graveline, Visual Arts Librarian. Designed by Dennis Grady.

Baker-Berry Library, Berry Main Street, March 9 – May 10, 2023

 

 

Ernst Haeckel's Artforms in Nature - A Collections Showcase Exhibit

exhibit poster for Coed 50 exhibit

Curators' Statements:

My first encounter with Ernst Hæckel's amazing illustrations of single-celled radiolarians was during a YouTube lecture delivered in 2019 by Rupert Sheldrake at the International Conference on the Physics, Chemistry, and Biology of Water, in Bad Soden, Germany. Sheldrake's talk, "Dynamic Patterns in Water as Analogue Models" used a page from one of Hæckel's volumes on radiolarians to illustrate the point that "Biological morphogenesis is very largely vibration-based, electrical or acoustic vibrations; and ... morphogenetic fields are fields of vibration."

Intrigued by Hæckel's ornate aesthetic skill, I searched the Dartmouth Library catalog for more. My first find was Hæckel's 1924 edition of Kunstformen der Natur, and my first thought was that these exquisite plates would make a beautiful exhibit in Baker Library's Reiss Hall. It was while designing the exhibit and researching Hæckel that the controversies surrounding his methods, his speculative anthropology, and his influence on the development of 20th-century ideologies came to the fore. So then the question came up: Can we show Hæckel's work and celebrate his aesthetic achievements despite the negatives? My co-curator, Lilly Linden, sought advice from members of Dartmouth's scientific community, and we have taken their concerns into account. We present here an opportunity to be amazed by Hæckel's draftsmanship and design while considering the flaws in his methods and the dangers of speculative theory.

—Dennis Grady, Baker-Berry exhibits designer


I had the good fortune of running into Dennis Grady on my first day of work at Dartmouth (Feb 21st, 2022). He mentioned an exhibit about Haeckel's illustrations in the pipeline after he learned of my prior career as a Biologist. Laura Barrett, Dennis, and I touched base and decided that we would reach out to the Ecology, Evolution, Environment and Society (EEES) group at Dartmouth to hear and learn more about Haeckel's influence. While we were aware of some problems around Haeckel's work, none of us realized the true extent of it. With feedback and resources from faculty, postdocs, and graduate students from the Biology and Anthropology departments at Dartmouth, we redesigned the exhibit to bring to the Dartmouth community an exploration of exquisite illustrations from a man who continues to be an integral part of the story of evolutionary biology, albeit colored by his racist ideologies.

We are repeatedly faced with disappointing instances of discovering problematic ideologies supported by researchers of the past. As a community, we can engage with these tensions to situate the role that such individuals play in our scholarship.

—Lilly Linden, Research and Learning Librarian - STEM

A research guide has been provided to accompany the exhibit. Each panel of the exhibit asks the viewers to reflect on different aspects of Haeckel's work.

Baker-Berry Library, Reiss Hall, January 2 – March 14, 2023