|Ted Levin (Photo by Joseph Mehling '69)|
Levin's syllabus for his winter term course "The Silk Road" includes guest lecturers from Dartmouth's departments of anthropology, geography, history, religion, theater, and Asian and Middle Eastern languages and literatures (DAMELL). The course, says Levin, considers the Silk Road and its cultural legacy from a profoundly interdisciplinary perspective.
An activist as well: A consultant and advisor to both the Aga Khan Music Initiative in Central Asia and the Soros Foundations' Open Society Institute, Levin champions the role music and musicians can have in preserving and revitalizing traditional cultures. He continues to be instrumental in bringing musical artists to Dartmouth, including Brooklyn Rider, a string quartet that grew out of the Silk Road Project and that often collaborates with "world music" musicians. Among them is Japanese shakuhachi virtuoso and composer Kojiro Umezaki, a 1993 graduate of Dartmouth's M.A. program in digital musics. Brooklyn Rider and Umezaki are artists-in-residence at the College in February, and premiered a Dartmouth-commissioned piece by Umezaki.
|Students in Levin's course "The Silk Road" remove bandhani cloth from indigo dye. Master dyer Joan Morris (foreground) of the theater department guided the students through this ancient Indian method of textile patterning. "They are getting, literally, a hands-on experience of the sort of goods traded along the Silk Road," she says. From left: Elizabeth Kemp '11(hidden), Evelyn Fisher '11, Emma Frankel '12, and Samantha Kaplan '09. (Photo by Joseph Mehling '69)
By KELLY SEAMAN
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Last Updated: 1/19/10