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German Studies
6084 Dartmouth Hall, Room 333
Hanover, New Hampshire
03755-3511
Telephone: (603) 646-2408
Fax: (603) 646-1474
 
Chair: Ellis Shookman
Ellis.Shookman@dartmouth.edu
 
Administrator: Wadeane Kunz
Wadeane.Kunz@dartmouth.edu
 

Summer 2014

 Language Study Abroad (LSA): see Programs in Berlin (German 3, 5, 6). Directed by Yuliya Komska

 

German 10.0. Intermediate German Language and Culture: Contemporary Germany. This course, taught at 10 by Michael McGillen, develops facility in oral expression and writing, with emphasis on the expansion of vocabulary and the reinforcement of grammatical structures. It draws much of its audio, visual, and print material from the website of the Deutsche Welle, and it treats current events and other topics of interest in contemporary German society.

 

Eugène Atget, Avenue des Gobelins (1925)

German 42. Topics in German Studies in Translation. Taught at 2A by Michael McGillen. Modernism and the Avant-Garde: Frankfurt School Cultural Theory. Writers of the Frankfurt School (Kracauer, Benjamin, Adorno, Horkheimer) have shaped our understanding of the impact of early 20th-century "modernism" in literature and the arts. Examining their cultural theory alongside avant-garde literature, art, film, and photography, the course will address the Frankfurt School's understanding of mass culture in urban modernity; its insights into the nature of perception under the conditions of new technological media; and its reflections on the relationship between art and politics. Conducted in English. Open to all classes. Dist: SOC. WCULT: W.

Peter Lorre

Continental Strangers (FS42/GER43/CoLt 62) "Continental Strangers." Taught at 3A by Gerd Gemünden. During the 1930s and 1940s, hundreds of German-speaking writers and film professionals lived and worked in Hollywood. While some were emigres who came to better their lot and further their professional careers, the majority of them were Jewish refugees who escaped the threat of the Nazi death camps. Along the historical axis, we will focus on the continuities and ruptures between Weimar cinema and Hollywood. Thus we will study how the exiles' sense of (Jewish) identity in the United States was shaped not only by the experience of displacement and the fight against fascism, but also by the political climate of wartime United States and the film industry's war efforts. Along the theoretical axis, we need to question such terms as national cinema and cultural identity. Here recent discussions of postcolonial theory, exile and diaspora, hybridity, and cultural mimicry will be examined. Along the political axis, we will investigate how these films intervene in public debates, and how they reframe political issues in terms of narrative and images. This will also involve a comparative study of the culture industries of wartime Hollywood and Nazi Germany. (ART/CI)

German 85.Independent study project. By the middle of the previous term, and after consulting with a faculty member, students submit a proposal to the department.

Last Updated: 5/8/14