Honors Thesis (Advisor: William Summers)
Jonathan Douglas, William Sterndale Bennett and the politics of musical performance in early Victorian London, 1992.
Judd Adam Serotta, "Seeking financial security and independence in eighteenth century England : George Frideric Handel and his patrons," 1994
Jose Luis Perez , "Compositional techniques in Missa Dona nobis pacem : a supporting Document," videotape, 1995.
Lara Belena (pianist), Italian concerto in F major, BWV 971 [sound recording] / Johann Sebastian Bach. Sonata in E flat major, Hob. XVI:52 / Josep[h] Haydn. Three intermezzi, Op. 117 / Johannes Brhams. Pour le piano, suite / Claude Debussy; 1995.
Shameem.A.Abbasy (violoncello), Senior Honors Recital, Beethoven and Chopin, 1995.
Christina Kuechmann (conductor) , Haydn, Beethoven and Brhams, Dartmouth Chamber Orchestra and Dartmouth Glee Club performance, 1997.
Brendan W. Caldon (composer and conductor), Odysseus : an orchestral suite, 1999.
Kevin Findlan, "War's Embers, 'The Pastoral Landscape in English Music of the Great War Era'", 1999.
Sean M. Parr (vocalist), Die schone Mullerin, a song cycle by Franz Schubert: post-performance research document of song examples which are emblematic of the text and music relationship evident in the cycle, 1999.
Ainsley Ryan, "Vocal pedagogy: an analysis of the procedures used in modern American studios in the context of physiology and the national schools of singing," 2000.
Carmen Silva Flores, Filipino themes and resistance elements in the Manila sarswela,1899-1919, 2000.
Amy Victoria Smith (mezzo soprano), "Romantic individuality: the relationship of music and text in Samuel Barber's songs," 2000.