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Ph.D., Trier University, Germany
Art History, Associate Professor
Recent Scholarship:
Angelica Kaufman: Art and Sensibility (Yale University Press,
2006).
The Other Hogarth: Aesthetics of Difference, co-authored with
Bernadette Fort (Princeton University Press, 2001).
"Alternative Körper,"with Christina Threuter, Special issue of
FrauenKunstWissenschaft 29, Spring/Summer (2000).
"Netz/Haut/Nah" with Christina Threuter, Special issue of
FrauenKunstWissenschaft 30, Fall/Winter (2000).
"The Fall and Rise of Kitty Fischer: Joshua Reynolds and the Sitter's Share,"
in Representations of Women: Changing Frames from Classicism to
Postmodernism, Peter Wagner, editor (Tübingen: Niemeyer Verlag
(2003).
"Angelica's Odyssey: Kauffman's Representation of Penelope and the Weaving of
Narrative," in Women, Art and the Politics of Identity in
Eighteenth-Century Europe, Melissa Hyde and Jennifer Milam, editors,
Aldershot and Brookfield, VT: Ashgate (2003).
"Die Kunst des Errötens: Zur Kosmetik rassischer Differenz," in Das Subjekt
und die Anderen: Interkulturalität und Geschlechterdifferenz vom 18.
Jahrhundert bis zur Gegenwart, Herbert Uerlings, et al, editors (Berln,
Bielefeld, Munich: Erich Schmidt Verlag, 2001).
"Besuch bei Penelope: Kunstbetrachtung und Selbstdarstellung im
Ausstellungsraum der Royal Academy, 1771," in Visuelle Repräsentanz und sociale
Wirklichkeit: Bild, Geschlecht und Raum in der Kunstgeschichte, Kristiane Keim
et al, editors (Herbolzheim: Centaurus Verlag, 2001).
Interests:
Women artists and gender theory in art and visual culture
Contemporary women artists
Angelica Kauffman.
Courses Taught:
Sex, Gender, and the Body in Feminist Theories
Gender and Art in the 18th Century
Women Artists--Gender Theories
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