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Ph.D., University of Southern California, School of Cinema-TV
Associate Professor of Film Studies
Recent Scholarship:
Dietrich Icon, co-edited with Gerd Gemunden (Duke University Press,
2007).
Recycled Stars: Female Stardom in the Age of Television and
Video (forthcoming, Duke University Press).
“Archive of the Future/Archive of Everyday Practices: Feminism,
Materiality, and
Temporality,” Camera
Obscura 61 21:1 (2006), pp. 32-37.
“The Objects of Our Affection: Material Practices, Material Culture, and (a)
Film
History,” Vectors: A Journal of
Culture and Technology in a Dynamic Vernacular
(2006) http:
//www.vectorsjournal.org/issues/03_issue/ObjectofMediaStudies).
"The Incredible Shrinking Star: Todd Haynes and the Case of Karen
Carpenter," Camera
Obscura 57 19:3
(December 2004), pp. 22-54.
"Ephemeral Culture/eBay Culture: Film Collectables and Fan
Investments," Everyday
eBay: Culture, Collecting, and Desire
eds. Ken Hillis et al (Routledge, 2006), pp. 31-43.
"Are You Lonesome Tonight? Gendered Discourse in The Lonesome Gal
and The
Continental" (co-written with Mark
Williams), Communities of the Air: Radio Century,
Radio Culture, ed. Susan Squier (Duke
Univ. Press, 2003), pp. 251-274.
"Lucy and Desi: Sexuality, Ethnicity and T.V's First Family" Television,
History and American Culture:
Feminist Critical Essays.
Editors, Mary Beth Haralovich and Lauren Rabinovitz (Duke University
Press 1999).
"'Marion Never Looked Lovelier': Hedda Hopper's Hollywood and the
Renegotiation of Glamour in Postwar Hollywood" Quarterly Review of Film and
Video (Summer 1999).
"Meeting Two Queens: Feminist Filmmaking, Identity Politics, and the
Melodramatic Fantasy," Film Quarterly (Spring 1995)
Interests:
Feminist Theory
Gender and the Media
Feminist Filmmaking
Women in Film and TV
he Female Star
Melodrama and Gender
Courses Taught:
American Women Directors, 1920-1990
Feminist Theory and Methodology
Television and Histories of Gender
Women in the Film Industry
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