 |
Abandoned New England
Landscape in the Works of Homer, Frost, Hopper, Wyeth, and Bishop |
Paton, Priscilla |
 |
Acting on the Past
Historical Performance Across the Disciplines |
Franko, Mark and Annette Richards, eds. |
 |
Ajiaco
Stirrings of the Cuban Soul |
Gelburd, Gail |
 |
American Art at Dartmouth
Highlights from the Hood Museum of Art |
MacAdam, Barbara J. |
 |
American Chronicles
The Art of Norman Rockwell |
Pero, Linda Szekely |
 |
American Reflections
The Collection of Dr. Timothy McLaughlin |
Noelle, Alexander J., ed. |
 |
Anarchy
New York CityJanuary 1998 |
Cage, John |
 |
Anni Albers
Selected Writings on Design |
Albers, Anni. Brenda Dalinowitz, ed. and introd.; Nicholas Fox Weber, fwd. |
 |
Antiquity in Rome from the Renaissance to the Age of Enlightenment
Selections from Dartmouths Collections |
Thurber, T. Barton and Adrian W. B. Randolph |
 |
Art Museums PLUS
Cultural Excursions in New England |
Marshall, Traute M. |
 |
The Art of Devotion
Panel Painting in Early Renaissance Italy |
Abbott, Katherine Smith, Wendy Watson, Andrea Rothe and Jeanne Rothe |
 |
The Art of Evolution
Darwin, Darwinisms, and Visual Culture |
Larson, Barbara, Fae Brauer, eds. |
 |
The Art of Sonia Landy Sheridan
|
Kirkpatrick, Diane |
 |
Art Schooled
A Year among Prodigies, Rebels, and Visionaries at a World-Class Art College |
Witham, Larry |
 |
Assyrian Reliefs from the Palace of Ashurnasirpal II
A Cultural Biography |
Cohen, Ada and Kangas, Steven E., editors |
 |
At Century's End
Norwegian Artists and the Figurative Tradition, 1880/1990 |
Sterling, Susan Fisher; Wichstrom, Anne; Smit, Toril |
 |
At Home and Abroad
The Transcendental Landscapes of Christopher Pearce Cranch (1813-1892) |
Stula, Nancy and David M. Robinson, foreword by Barbara Novak |
 |
Back in No Time
The Brion Gysin Reader |
Weiss, Jason, ed., and Brion Gysin |
 |
The Boston Athenaeum
Bicentennial Essays |
Wendorf, Richard |
 |
Boston Beheld
Antique Town and Country Views |
Simons, D. Brenton |
 |
Boston Modern
Figurative Expressionism as Alternative Modernism |
Bookbinder, Judith |
 |
The Brillo Box Archive
Aesthetics, Design, and Art |
Golec, Michael J. |
 |
A Brush With History
Paintings from the National Portrait Gallery |
Carr, Carolyn Kinder, and Ellen G. Miles. Marc Pachter, fwd.; Margaret C. S. Christman, essay. |
 |
Centering in Pottery, Poetry, and the Person
|
Richards, Mary Caroline |
 |
Charles Ethan Porter
African-American Master of Still Life |
Cummings, Hildegard |
 |
Coastline to Skyline
The Philip H. Greene Gift of California Watercolors, 1930-1960 |
MacAdam, Barbara J. |
 |
Color Codes
Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology |
Riley, Charles A. II. |
 |
Connecticut Needlework
Women, Art, and Family, 17401840 |
Schoelwer, Susan P. |
 |
Consuming Views
Art and Tourism in the White Mountains, 1850-1900 |
Garvin, Donna-Belle, ed. |
 |
Creative Lives
New York Paintings and Photographs by Maurice and Lee Sievan |
Nolan, Leslie, and Francis V. OConnor |
 |
The Crossing Point
Selected Talks and Writings |
Richards, Mary Caroline |
 |
Cultural Leadership in America
Art Matronage and Patronage |
Corn, Wanda, ed |
 |
The Cultured Canvas
New Perspectives on American Landscape Painting |
Siegel, Nancy, ed. |
 |
Denman Ross and American Design Theory
|
Frank, Marie |
 |
Devouring Frida
The Art History and Popular Celebrity of Frida Kahlo |
Lindauer, Margaret A. |
 |
Double Lives
|
Boyle, Richard |
 |
Embracing Elegance, 1885-1920
American Art from the Huber Family Collection |
MacAdam, Barbara J., ed. |
 |
Emily Mason
The Fifth Element |
Ebony, David |
 |
Empty Words
Writings 7378 |
Cage, John |
 |
Envisioning New England
Treasures from Community Art Museums |
Belanger, Pamela. Consortium of New England Community Art Museums |
 |
Esmé Thompson
The Alchemy of Deisgn |
Quackenbush, Liz, and Majorie Woods, Brian P. Kennedy, Katherine Hart |
 |
European Art at Dartmouth
Highlights from the Hood Museum of Art |
Thurber, T. Barton |
 |
Fixing the World
Jewish American Painters in the Twentieth Century |
Soltes, Ori Z. |
 |
Frank Stella
Irregular Polygons, 196566 |
Kennedy, Brian P. |
 |
Frederic Edwin Church
Romantic Landscapes and Seascapes |
Carr, Gerald L. |
 |
Georgia OKeeffe
A Life |
Robinson, Roxana |
 |
Gertrude Beals Bourne
Artist in Brahmin Boston |
Howlett, D. Roger; Hills, Patricia, foreword |
 |
Grandeur on the Appoquinimink
The House of William Corbit at Odessa, Delaware |
Sweeney, John A. H. |
 |
The Hovey Murals at Dartmouth College
Culture and Contexts |
Kennedy, Brian P., ed., Colin G. Calloway, Mary Coffey, Rayna Green, Robert McGrath, and Melanie Benson Taylor |
 |
IVI
MethodStructureIntentionDisciplineNotationIndeterminacy InterpenetrationImitationDevotionCircumstancesVariableStructure NonunderstandingContingencyInconsistencyPerformance |
Cage, John |
 |
Immanence and Revelation
The Art of Ben Frank Moss |
Hood Museum of Art. Chuang, Joshua, essayist |
 |
In Sight
|
Field, Sabra |
 |
Inventing Acadia
Artists and Tourists at Mount Desert |
Belanger, Pamela J. John Wilmerding, fwd.; J. Gray Sweeney, contributions and essay. |
 |
Jewish Dimensions in Modern Visual Culture
Antisemitism, Assimilation, Affirmation |
Long, Rose-Carol Washton, Matthew Baigell, and Milly Heyd, eds. |
 |
John Haberle
American Master of Illusion |
Sill, Gertrude Grace and Douglas K. S. Hyland |
 |
John Lewis Krimmel
Genre Artist of the Early Republic |
Harding, Anneliese |
 |
John Storrs
Machine-Age Modernist |
Balken, Debra Bricker |
 |
Juniper Fuse
Upper Paleolithic Imagination & the Construction of the Underworld |
Eshleman, Clayton |
 |
Kabbalah and Art
|
Bronstein, Léo |
 |
Lee Mingwei
The Living Room |
Gross, Jennifer R., and Lewis Hyde |
 |
Long Island Moderns
Art and Architecture on the North Shore and Beyond |
Wayne, Kenneth, Erik Neil and Sandy Isenstadt |
 |
M
Writings 6772 |
Cage, John |
 |
Maine in America
American Art at The Farnsworth Art Museum |
Belanger, Pamela J. Christopher B. Crosman, fwd. William H. Gerdts, essay. |
 |
Marsden Hartley
Race, Region, and Nation |
Cassidy, Donna M. |
 |
Mary Cassatt
Prints and Drawings from the Collection of Ambroise Vollard |
Mathews, Nancy Mowll, Bertalan, Sarah; Rosen, Marc intro. |
 |
Mel Kendrick
Core Samples |
Hart, Katherine W. |
 |
Men of Fire
José Clemente Orozco and Jackson Pollock |
Hood Museum of Art |
 |
Modern and Contemporary Art at Dartmouth
Highlights from the Hood Museum of Art |
Kennedy, Brian P., Emily Shubert Burke, editors |
 |
Modern Gestures
Abraham Walkowitz Draws Isadora Duncan Dancing |
Albright, Ann Cooper |
 |
Monets Water Lilies
An Artists Obsession |
Zafran, Eric M. , James H. Rubin and Susan L. Talbott, fwd. |
 |
Muraqqa'
Imperial Mughal Albums from the Chester Beatty Library |
Wright, Elaine |
 |
MUSICAGE
CAGE MUSES on Words * Art * Music |
Cage, John, in Conversation with Joan Retallack. |
 |
Native American Art at Dartmouth
Highlights from the Hood Museum of Art |
Horse Capture, George P., Joe Horse Capture, Joseph M. Sanchez, Colin G. Calloway, and Karen S. Miller |
 |
The New Authentics
Artists of the Post-Jewish Generation |
Boris, Staci |
 |
Night Train
Poems |
Asher, Elise |
 |
Norman Rockwell
A Definitive Catalogue |
Moffatt, Laurie Norton, text and catalogue. David H. Wood, introd. |
 |
Once Upon an Island
Stephen Scott Young in the Bahamas |
Gerdts, William H. |
 |
One Womans Work
The Visual Art of Celia Laighton Thaxter |
Stephan, Sharon Paiva |
 |
Pictures of People
Alice Neels American Portrait Gallery |
Allara, Pamela |
 |
Picturing Victorian America
Prints by the Kellogg Brothers of Hartford, Connecticut, 1830-1880 |
Finlay, Nancy |
 |
Piero della Francesca
|
Longhi, Roberto. David Tabbat, trans.; Keith Christiansen, introd. |
 |
Please Touch
Dada and Surrealist Objects after the Readymade |
Mileaf, Janine |
 |
Ralph Fasanellas America
|
DAmbrosio, Paul S. |
 |
Robert Kipniss: A Working Artists Life
A Working Artists Life |
Kipniss, Robert |
 |
Sean Scully
The Art of the Stripe |
Kennedy, Brian |
 |
A Sense of Place
Painters of Matunuck, Rhode Island, 18731941 |
Leard-Coolidge, Lindsay |
 |
Shock and the Senseless in Dada and Fluxus
|
Brill, Dorothée |
 |
Silence
Lectures and Writings |
Cage, John |
 |
Silence
Lectures and Writings, 50th Anniversary Edition |
Cage, John and Kyle Gann, fwd. |
 |
So Much Trouble in the World
Believe It or Not! |
Wilson, Fred. Essays by Barbara Thompson, Mary Coffey, and Jessica Hagedorn. |
 |
St. Johnsbury Athenaeum
Handbook of the Art Collection |
Mitchell, Mark D. |
 |
Stairway to Heaven
From Chinese Streets to Monuments and Skyscrapers |
Bessire, Mark H. C. |
 |
Three Studies
Masolino and Masaccio, Caravaggio and His Forerunners, Carlo Braccesco |
Longhi, Roberto |
 |
The Tides of Provincetown
Pivotal Years in Americas Oldest Continuous Art Colony, 18992011 |
Noelle, Alexander J., James R. Bakker, Stephen Borkowski, Robert Bridges, Josephine C. Del Deo, Deborah Forman, Julie Heller, Elizabeth Ives Hunter, Douglas K. S. Hyland, Christine M. McCarthy, and Whitney Smith |
 |
Toward Wholeness
Rudolf Steiner Education in America |
Richards, Mary Caroline |
 |
Ultramodern
The Art of Contemporary Brazil |
Amaral, Aracy A.; Herkenhoff, Paulo |
 |
The Visionary Gleam
Texts & Transformations |
Asher, Elise |
 |
Visual Culture
Images and Interpretations |
Bryson, Norman, Michael Ann Holly, and Keith Moxey, eds. |
 |
Wearing Wealth and Styling Identity
Tapis from Lampung, South Sumatra, Indonesia |
Totton, Mary-Louise |
 |
The Weir Family, 18201920
Expanding the Traditions of American Art |
Wardle, Marian, ed. |
 |
Wenda Gu at Dartmouth
The Art of Installation |
Hood Museum of Art |
 |
William the Wonder Kid
Plays, Puppet Plays and Theater Writings |
Silk, Dennis |
 |
With Needle and Brush
Schoolgirl Embroidery from the Connecticut River Valley, 17401840 |
Huber, Carol and Stephen, Susan P. Schoelwer, and Amy Kurtz Lansing |
 |
Women Artists @ New Britain Museum
|
Buckberrough, Sherry and Nancy Noble |
 |
The Work of Augustus Saint-Gaudens
|
Dryfhout, John H. |
 |
X
Writings 7982 |
Cage, John |
 |
A Year from Monday
New Lectures and Writings |
Cage, John |
 |
Your Body Figured
|
Martin, Douglas A. |