 |
Abandoned New England
Landscape in the Works of Homer, Frost, Hopper, Wyeth, and Bishop |
Paton, Priscilla |
 |
Acting on the Past
Historical Performance Across the Disciplines |
Franko, Mark and Annette Richards, eds. |
 |
American Art at Dartmouth
Highlights from the Hood Museum of Art |
MacAdam, Barbara J. |
 |
Anarchy
New York CityJanuary 1998 |
Cage, John |
 |
Anni Albers
Selected Writings on Design |
Albers, Anni. Brenda Dalinowitz, ed. and introd.; Nicholas Fox Weber, fwd. |
 |
Antiquity in Rome from the Renaissance to the Age of Enlightenment
Selections from Dartmouths Collections |
Thurber, T. Barton and Adrian W. B. Randolph |
 |
At Century's End
Norwegian Artists and the Figurative Tradition, 1880/1990 |
Sterling, Susan Fisher; Wichstrom, Anne; Smit, Toril |
 |
At Home and Abroad
The Transcendental Landscapes of Christopher Pearce Cranch (1813-1892) |
Stula, Nancy and David M. Robinson, foreword by Barbara Novak |
 |
Back in No Time
The Brion Gysin Reader |
Gysin, Brion. Weiss, Jason, ed. |
 |
Boston Beheld
Antique Town and Country Views |
Simons, D. Brenton |
 |
Boston Modern
Figurative Expressionism as Alternative Modernism |
Bookbinder, Judith |
 |
Botticellis Witness
Changing Styles in a Changing Florence |
Kanter, Laurence, Hilliard T. Goldfarb, and James Hankins |
 |
The Brillo Box Archive
Aesthetics, Design, and Art |
Golec, Michael J. |
 |
A Brush With History
Paintings from the National Portrait Gallery |
Carr, Carolyn Kinder, and Ellen G. Miles. Marc Pachter, fwd.; Margaret C. S. Christman, essay. |
 |
Capturing Nureyev
James Wyeth Paints the Dancer |
Belanger, Pamela J., ed. |
 |
Centering in Pottery, Poetry, and the Person
|
Richards, Mary Caroline |
 |
Charles Ethan Porter
African-American Master of Still Life |
Cummings, Hildegard |
 |
Color Codes
Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology |
Riley, Charles A. II. |
 |
Consuming Views
Art and Tourism in the White Mountains, 1850-1900 |
Garvin, Donna-Belle, ed. |
 |
Creative Lives
New York Paintings and Photographs by Maurice and Lee Sievan |
Nolan, Leslie, and Francis V. OConnor |
 |
The Crossing Point
Selected Talks and Writings |
Richards, Mary Caroline |
 |
Cultural Leadership in America
Art Matronage and Patronage |
Corn, Wanda, ed |
 |
Devouring Frida
The Art History and Popular Celebrity of Frida Kahlo |
Lindauer, Margaret A. |
 |
Disegno
Italian Renaissance Designs for the Decorative Arts |
Holman, Beth L., ed. and introductory essays |
 |
Empty Words
Writings 7378 |
Cage, John |
 |
Envisioning New England
Treasures from Community Art Museums |
Belanger, Pamela. Consortium of New England Community Art Museums |
 |
European Art at Dartmouth
Highlights from the Hood Museum of Art |
Thurber, T. Barton |
 |
Factory Work
Warhol, Wyeth and Basquiat |
Stoner, Joyce Hill |
 |
Fixing the World
Jewish American Painters in the Twentieth Century |
Soltes, Ori Z. |
 |
Following Proust
Norman Churches, Cathedrals, and Paris Paintings |
Baker, Susan. Richard Howard, fwd.; Keith Althaus, essays |
 |
Frederic Edwin Church
Romantic Landscapes and Seascapes |
Carr, Gerald L. |
 |
From Michelangelo to Annibale Carracci
A Century of Italian Drawings from the Prado |
Turner, Nicolas, Matilla, José Manuel |
 |
Gentlemen Photographers
The Work of Loring Underwood and Wm. Lyman Underwood |
Lyons, Robert, ed. |
 |
Georgia OKeeffe
A Life |
Robinson, Roxana |
 |
Gertrude Beals Bourne
Artist in Brahmin Boston |
Howlett, D. Roger; Hills, Patricia, foreword |
 |
Grandeur on the Appoquinimink
The House of William Corbit at Odessa, Delaware |
Sweeney, John A. H. |
 |
Horatio Greenough
An American Sculptors Drawings |
Saunders, Richard H. |
 |
IVI
MethodStructureIntentionDisciplineNotationIndeterminacy InterpenetrationImitationDevotionCircumstancesVariableStructure NonunderstandingContingencyInconsistencyPerformance |
Cage, John |
 |
Illustrating the Good Life
The Pissarros' Eragny Press, 1894-1914 |
Beckwith, Alice H. R. H., Alan Fern, pref. |
 |
In Sight
|
Field, Sabra |
 |
Inventing Acadia
Artists and Tourists at Mount Desert |
Belanger, Pamela J. John Wilmerding, fwd.; J. Gray Sweeney, contributions and essay. |
 |
John Lewis Krimmel
Genre Artist of the Early Republic |
Harding, Anneliese |
 |
Juniper Fuse
Upper Paleolithic Imagination & the Construction of the Underworld |
Eshleman, Clayton |
 |
Kabbalah and Art
|
Bronstein, Léo |
 |
Lee Mingwei
The Living Room |
Gross, Jennifer R., and Lewis Hyde |
 |
Literature and the Visual Arts
A Special Issue of *Pequod* |
Rudman, Mark |
 |
M
Writings 6772 |
Cage, John |
 |
Maine in America
American Art at The Farnsworth Art Museum |
Belanger, Pamela J. Christopher B. Crosman, fwd. William H. Gerdts, essay. |
 |
Marsden Hartley
Race, Region, and Nation |
Cassidy, Donna M. |
 |
Mary Cassatt
Prints and Drawings from the Collection of Ambroise Vollard |
Mathews, Nancy Mowll, Bertalan, Sarah; Rosen, Marc intro. |
 |
Mel Kendrick
Core Samples |
Hart, Katherine W. |
 |
Muraqqa'
Imperial Mughal Albums from the Chester Beatty Library |
Wright, Elaine |
 |
MUSICAGE
CAGE MUSES on Words * Art * Music |
Cage, John, in Conversation with Joan Retallack. |
 |
The Neale M. Albert Collection of Miniature Designer Bindings
|
Albert, Neale M. |
 |
The New Authentics
Artists of the Post-Jewish Generation |
Boris, Staci |
 |
Night Train
Poems |
Asher, Elise |
 |
Norman Rockwell
A Definitive Catalogue |
Moffatt, Laurie Norton, text and catalogue. David H. Wood, introd. |
 |
One Womans Work
The Visual Art of Celia Laighton Thaxter |
Stephan, Sharon Paiva |
 |
Painting a People
Maurycy Gottlieb and Jewish Art |
Mendelsohn, Ezra |
 |
Pictures of People
Alice Neels American Portrait Gallery |
Allara, Pamela |
 |
Piero della Francesca
|
Longhi, Roberto. David Tabbat, tr.; Keith Christiansen, introd. |
 |
A Place for the Arts
The MacDowell Colony, 1907-2007 |
Wiseman, Carter, ed. |
 |
Political Cartoons and Caricatures
From the collection of Michael Alexander Kahn
|
Kahn, Michael Alexander |
 |
Provincetown Dogs
|
Baker, Susan |
 |
Ralph Fasanellas America
|
DAmbrosio, Paul S. |
 |
Rave Reviews
American Art and its Critics, 18261925 |
Dearinger, David, ed. |
 |
The Saints of Modern Art
The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy |
Riley, Charles A. II |
 |
Sakura
Cherry Blossom Paintings |
Ishikawa, Yoshiko |
 |
Silence
Lectures and Writings |
Cage, John |
 |
So Much Trouble in the World
Believe It or Not! |
Wilson, Fred. Essays by Barbara Thompson, Mary Coffey, and Jessica Hagedorn. |
 |
Something Coming
Apocalyptic Expectation and Mid-Nineteenth-Century American Painting |
Husch, Gail E. |
 |
St. Johnsbury Athenaeum
Handbook of the Art Collection |
Mitchell, Mark |
 |
Stairway to Heaven
From Chinese Streets to Monuments and Skyscrapers |
Bessire, Mark H. C. |
 |
Teaching the Arts Behind Bars
|
Williams, Rachel Marie-Crane; Alexander, Buzz |
 |
Three Studies
Masolino and Masaccio, Caravaggio and His Forerunners, Carlo Braccesco |
Longhi, Roberto |
 |
Titian and Rubens
Power, Politics, and Style |
Goldfarb, Hilliard T., David Freedberg, and Manuela B. Mena Marqués |
 |
Toward Wholeness
Rudolf Steiner Education in America |
Richards, Mary Caroline |
 |
Traditional Jewish Papercuts
An Inner World of Art and Symbol |
Shadur, Joseph and Yehudit |
 |
Ultramodern
The Art of Contemporary Brazil |
Amaral, Aracy A.; Herkenhoff, Paulo |
 |
The Visionary Gleam
Texts & Transformations |
Asher, Elise |
 |
Visual Culture
Images and Interpretations |
Bryson, Norman, Michael Ann Holly, and Keith Moxey, eds. |
 |
Wenda Gu at Dartmouth
The Art of Installation |
Hood Museum of Art |
 |
William the Wonder Kid
Plays, Puppet Plays and Theater Writings |
Silk, Dennis |
 |
The Word Made Image
Religion, Art, and Architecture in Spain and Spanish America, 15001600 |
Brown, Jonathan, ed. |
 |
The Work of Augustus Saint-Gaudens
|
Dryfhout, John H. |
 |
X
Writings 7982 |
Cage, John |
 |
A Year from Monday
New Lectures and Writings |
Cage, John |