|
|
 |
The Abortion Myth
Feminism, Morality, and the Hard Choices Women Make |
Cannold, Leslie. Rene Denfeld, fwd. |
 |
About Writing
Seven Essays, Four Letters, & Five Interviews |
Delany, Samuel R. |
 |
Acting on the Past
Historical Performance Across the Disciplines |
Franko, Mark and Annette Richards, eds. |
 |
Action Speaks Louder
Violence, Spectacle, and the American Action Movie |
Lichtenfeld, Eric |
 |
Afterrimages
|
Retallack, Joan |
 |
Against the Evidence
Selected Poems, 19341994 |
Ignatow, David |
 |
Against the Meanwhile
3 Elegies |
Irwin, Mark |
 |
Alcools
Poems |
Apollinaire, Guillaume. Donald Revell, tr. |
 |
All Odd and Splendid
|
Raz, Hilda |
 |
The Alphabet in the Park
Selected Poems |
Prado, Adélia. Tr. from the Brazilian and introd. by Ellen Watson |
 |
Alphabet Theater
|
Stricker, Meredith |
 |
Altazor
|
Huidobro, Vicente, Eliot Weinberger, tr. |
 |
America Goes to War
The Civil War and Its Meaning in American Culture |
Catton, Bruce |
 |
The American Kaleidoscope
Race, Ethnicity, and the Civic Culture |
Fuchs, Lawrence H. With a 1995 introd. |
 |
American Poets in the 21st Century
The New Poetics |
Rankine, Claudia and Lisa Sewell, Editors |
 |
American Science Fiction TV
Star Trek, Stargate, and Beyond |
Johnson-Smith, Jan |
 |
American Women Poets in the 21st Century
Where Lyric Meets Language |
Rankine, Claudia and Spahr, Juliana, eds. |
 |
Among the Jasmine Trees
Music and Modernity in Contemporary Syria |
Shannon, Jonathan H. |
 |
Anabranch
|
Zawacki, Andrew |
 |
Anarchy
New York CityJanuary 1998 |
Cage, John |
 |
Angora Matta
Fatal Acts of North-South Translation |
Savigliano, Marta Elena |
 |
Anni Albers
Selected Writings on Design |
Albers, Anni. Brenda Dalinowitz, ed. and introd.; Nicholas Fox Weber, fwd. |
 |
Another Future
Poetry and Art in a Postmodern Twilight |
Gilbert, Alan |
 |
An Anthology of Twentieth-Century Brazilian Poetry
|
Bishop, Elizabeth, and Emanuel Brasil, eds. and introd. |
 |
Anthony Mann
|
Basinger, Jeanine |
 |
Any Sound You Can Imagine
Making Music/Consuming Technology |
Théberge, Paul |
 |
Arcady
|
Revell, Donald |
 |
The Arrogance of Race
Historical Perspectives on Slavery, Racism, and Social Inequality |
Fredrickson, George M. |
 |
Assembling Alternatives
Reading Postmodern Poetries Transnationally |
Huk, Romana, ed. |
 |
At Home in the World
Bharata Natyam on the Global Stage |
O'Shea, Janet |
 |
Atlantis
Three Tales |
Delany, Samuel R. |
 |
Autobiography of a Generation
Italy, 1968 |
Passerini, Luisa. Lisa Erdberg, tr.; Joan Wallach Scott, fwd. |
 |
Baby Steps
How Lesbian Alternative Insemination Is Changing the World |
Agigian, Amy |
 |
Back in No Time
The Brion Gysin Reader |
Weiss, Jason, ed. Gysin, Brion. |
 |
The Bad Wife Handbook
|
Zucker, Rachel |
 |
Balasaraswati
Her Art and Life |
Knight, Douglas M. Jr. |
 |
Banda
Mexican Musical Life Across Borders |
Simonett, Helena |
 |
Barbed Wire
An Ecology of Modernity |
Netz, Reviel |
 |
A Barfield Reader
Selections from the Writings of Owen Barfield |
Barfield, Owen. G. B. Tennyson, ed. and introd. |
 |
Barton Mumaw, Dancer
From Denishawn to Jacobs Pillow and Beyond |
Sherman, Jane, and Barton Mumaw. David Gere, new fwd. |
 |
The Battle of the Sexes in Science Fiction
|
Larbalestier, Justine |
 |
Beautiful Shirt
|
Revell, Donald |
 |
The Begum's Millions
|
Verne, Jules, Stanford L. Luce, trs; Arthur B. Evans, ed; Peter Schulman, intro and notes |
 |
Between Hell and Reason
Essays from the Resistance Newspaper Combat, 19441947 |
Camus, Albert. Alexandre de Gramont, sel. and tr.; Elisabeth Young-Bruehl, fwd. |
 |
Beyond Document
Essays on Nonfiction Film |
Warren, Charles, ed. |
 |
The Birth-mark
unsettling the wilderness in American literary history |
Howe, Susan |
 |
The Black Image in the White Mind
The Debate on Afro-American Character and Destiny, 18171914 |
Fredrickson, George M. |
 |
The Black Mirror and Other Stories
An Anthology of Science Fiction from Germany and Austria |
Rottensteiner, Franz, ed. Translated by Mike Mitchell. |
 |
Black Noise
Rap Music and Black Culture in Contemporary America |
Rose, Tricia |
 |
Black Rhythms of Peru
Reviving African Musical Heritage in the Black Pacific |
Feldman, Heidi Carolyn |
 |
The Black Riviera
|
Jarman, Mark |
 |
Blue State Blues
|
Slavitt, David R. |
 |
The Book of Music and Nature
An Anthology of Sounds, Words, Thoughts |
Rothenberg, David, and Marta Ulvaeus, eds. |
 |
The Book of Music and Nature
An Anthology of Sounds, Words, Thoughts |
Rothenberg, David, and Marta Ulvaeus, eds. |
 |
The Book of Questions
Volume I [The Book of Yukel, Return to the Book] |
Jabès, Edmond. Tr. from the French by Rosmarie Waldrop. |
 |
The Book of Questions
Volume II [Yaël, Elya, Aely, El, Or the Last Book] |
Jabès, Edmond. Tr. from the French by Rosmarie Waldrop. |
 |
Born a Child of Freedom, Yet a Slave
Mechanisms of Control and Strategies of Resistance in Antebellum South Carolina |
Jones, Norrece T., Jr. |
 |
Born in the U.S.A.
Bruce Springsteen and the American Tradition |
Cullen, Jim, Daniel Cavicchi, fwd. |
 |
Born to Slow Horses
|
Brathwaite, Kamau |
 |
Bottom
On Shakespeare |
Zufoksky, Louis and Celia Thaew Zukofsky |
 |
The Branch Will Not Break
Poems |
Wright, James |
 |
The Branch Will Not Break
50th Anniversary Edition |
Wright, James |
 |
Breath
Poems and Letters |
Pozzi, Antonia; Venuti, Lawrence, ed. & trans. |
 |
Breathless
Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia |
Weiss, Allen S. |
 |
Bright Balkan Morning
Romani Lives and the Power of Music in Greek Macedonia |
Blau, Dick, photos; Keil, Charles & Angeliki, text; Feld, Steven, soundscape |
 |
Bright Existence
|
Hillman, Brenda |
 |
Bright Felon
Autobiography and Cities |
Ali, Kazim |
 |
Broken English
Poetry and Partiality |
McHugh, Heather |
 |
Buckdancers Choice
Poems |
Dickey, James |
 |
Butting Out
Reading Resistive Choreographies Through Works by Jawole Willa Jo Zollar and Chandralekha |
Chatterjea, Ananya |
 |
Caesar's Column
A Story of the Twentieth Century |
Donnelly, Ignatius. Nicholas Ruddick, ed. |
 |
Candy Necklace
|
Bedient, Cal |
 |
Carriacou String Band Serenade
Performing Identity in the Eastern Caribbean |
Miller, Rebecca S. |
 |
Cascadia
|
Hillman, Brenda |
 |
The Centenarian
Or, The Two Beringhelds |
Balzac, Honoré de; Chatelain, Danièle: Slusser, George |
 |
Centering in Pottery, Poetry, and the Person
|
Richards, Mary Caroline |
 |
A Certain Climate
Essays in History, Arts, and Letters |
Horgan, Paul. |
 |
Challenges
A Memoir of My Life in Opera |
Caldwell, Sarah with Rebecca Matlock |
 |
Channel Markers
|
Stringer, A. E. |
 |
Charles Olson and Frances Boldereff
A Modern Correspondence |
Olson, Charles, and Frances Boldereff. Ralph Maud and Sharon Thesen, eds. |
 |
Choreographic Politics
State Folk Dance Companies, Representation and Power |
Shay, Anthony |
 |
Choreographing Difference
The Body and Identity in Contemporary Dance |
Albright, Ann Cooper |
 |
The City of Musical Memory
Salsa, Record Grooves and Popular Culture in Cali, Colombia |
Waxer, Lise A. |
 |
Claiming Kin
|
Voigt, Ellen Bryant |
 |
The Clouds Float North
The Complete Poems of Yu Xuanji |
Yu Xuanji. David Young and Jiann I. Lin, trs. |
 |
Club Cultures
Music, Media, and Subcultural Capital |
Thornton, Sarah |
 |
Collected Poems
|
Wright, James |
 |
The Collected Poems of Barbara Guest
|
Guest, Barbara, Hadley Guest, ed.; Peter Gizzi, intro. |
 |
The Collected Poems of Philip Whalen
|
Whalen, Philip. Michael Rothenberg, ed.; Gary Snyder, fwd.; Leslie Scalapino, intro. |
 |
Colonialism and the Emergence of Science Fiction
|
Rieder, John |
 |
The Coming Race
|
Bulwer-Lytton, Edward, David Seed, ed. |
 |
Coming to You Wherever You Are
MuchMusic, MTV, and Youth Identities |
Pegley, Kip |
 |
Commies, Cowboys, and Jungle Queens
Comic Books and America, 19451954 |
Savage, William W., Jr. |
 |
Commonwealth of Wings
An Ornithological Biography Based on the Life of John James Audubon |
Alexander, Pamela. |
 |
Companion Spider
Essays |
Eshleman, Clayton. Adrienne Rich, introd. |
 |
The Connecticut River
A Photographic Journey through the Heart of New England |
Braden, Al |
 |
The Constructivist Moment
From Material Text to Cultural Poetics |
Watten, Barrett |
 |
Continued
|
Sommer, Piotr, August Kleinzahler, fwd. |
 |
Converging Movements
Modern Dance and Jewish Culture at the 92nd Street Y |
Jackson, Naomi M |
 |
The Correspondence of William Carlos Williams and Louis Zukofsky
|
Ahearn, Barry, ed. |
 |
Cosmos Latinos
An Anthology of Science Fiction from Latin America and Spain |
Bell, Andrea L. and Yolanda Molina-Gavilán, eds. |
 |
Country Music
Selected Early Poems |
Wright, Charles. David St. John, fwd. |
 |
The Couple
The Rider Quintet, vol. 4 |
Rudman, Mark |
 |
The Cradle of the Real Life
|
Valentine, Jean |
 |
Crazy Melon and Chinese Apple
The Poems of Frances Chung |
Chung, Frances. comp. and afterword by Walter Lew |
 |
Critical Gestures
Writings on Dance and Culture |
Daly, Ann |
 |
Critical Theory and Science Fiction
|
Freedman, Carl |
 |
The Crossing Point
Selected Talks and Writings |
Richards, Mary Caroline |
 |
Culture on Ice
Figure Skating & Cultural Meaning |
Kestnbaum, Ellyn |
 |
The Culture We Deserve
|
Barzun, Jacques. Arthur Krystal, ed. |
 |
Culture, Subject, Psyche
Dialogues in Psychoanalysis and Anthropology |
Molino, Anthony, ed. |
 |
Dance for Export
Cultural Diplomacy and the Cold War |
Prevots, Naima. Eric Foner, introd. |
 |
The Dancer Within
Intimate Conversations with Great Dancers |
Eichenbaum, Rose, Aron Hirt-Manheimer, ed. |
 |
Dances that Describe Themselves
The Improvised Choreography of Richard Bull |
Foster, Susan Leigh |
 |
Dark Ghetto
Dilemmas of Social Power |
Clark, Kenneth B. Gunnar Myrdal, fwd.; William Julius Wilson, new introd. |
 |
Daughters of Earth
Feminist Science Fiction in the Twentieth Century |
Larbalestier, Justine. |
 |
Death Tractates
|
Hillman, Brenda |
 |
The Decline of the German Mandarins
The German Academic Community, 18901933 |
Ringer, Fritz K. |
 |
Deeds of Utmost Kindness
|
Gander, Forrest |
 |
Deluge
|
Wright, Sydney Fowler. Brian Stableford, ed. |
 |
Desert Tracings
Six Classic Arabian Odes by Alqama, Shánfara, Labíd, Antara, Al-Asha, and Dhu al-Rúmma. Tr. from the Arabic |
Sells, Michael A., tr. and introd. |
 |
Devouring Frida
The Art History and Popular Celebrity of Frida Kahlo |
Lindauer, Margaret A. |
 |
Dien Cai Dau
|
Komunyakaa, Yusef. |
 |
Disfortune
Poems |
Wenderoth, Joe |
 |
Dissonant Identities
The RocknRoll Scene in Austin, Texas |
Shank, Barry |
 |
Distance from Loved Ones
|
Tate, James |
 |
A Distant Technology
Science Fiction Film and the Machine Age |
Telotte, J. P. |
 |
Divine Honors
|
Raz, Hilda |
 |
Domesticating Passions
Rousseau, Woman, and the Nation |
Fermon, Nicole |
 |
Done into Dance
Isadora Duncan in America |
Daly, Ann |
 |
Door in the Mountain
New and Collected Poems, 1965-2003 |
Valentine, Jean |
 |
Double Vision
An EastWest Collaboration for Coping with Cancer |
Todd, Alexandra Dundas |
 |
Dr. Mels Connecticut Climate Book
|
Goldstein, Mel |
 |
Drafts 138, Toll
|
DuPlessis, Rachel Blau |
 |
Dreams and Drama
Psychoanalytic Criticism, Creativity, and the Artist |
Roland, Alan |
 |
Dub
Soundscapes and Shattered Songs in Jamaican Reggae |
Veal, Michael E. |
 |
Dying for a Laugh
Disaster Movies and the Camp Imagination |
Feil, Ken |
 |
The Eagles Mile
|
Dickey, James |
 |
Early Connecticut Silver, 17001840
|
Bohan, Peter and Philip Hammerslough. Introduction by Erin Eisenbarth. |
 |
Eating in the Underworld
|
Zucker, Rachel |
 |
Echo and Reverb
Fabricating Space in Popular Music Recording, 1900-1960 |
Doyle, Peter |
 |
Ecstasy
|
Eigen, Michael |
 |
Edge Effect
Trails and Portrayals |
McPherson, Sandra |
 |
Einstein Intersection
|
Delany, Samuel R. Neil Gaiman, fwd. |
 |
Emotional Storm
|
Eigen, Michael |
 |
Empire of Dirt
The Aesthetics and Rituals of British Indie Music |
Fonarow, Wendy |
 |
Empty Words
Writings 7378 |
Cage, John |
 |
Encounters with Chinese Writers
|
Dillard, Annie |
 |
English in America
A Radical View of the Profession |
Ohmann, Richard. With a new introd. Gerald Graff, fwd.; chapter by Wallace Douglas |
 |
Envisioning the Future
Science Fiction and the Next Millennium |
Barr, Marleen S. |
 |
Erasures
|
Revell, Donald |
 |
Excursion for Miracles
Paul Sanasardo, Donya Feuer, and Studio for Dance (19551964) |
Franko, Mark |
 |
Exposition Park
|
Tejada, Roberto |
 |
Eyeshot
|
McHugh, Heather |
 |
Fall
|
Newman, Amy |
 |
False Prophet
Field Notes from the Punk Underground |
Taylor, Steven |
 |
The Father of the Predicaments
|
McHugh, Heather |
 |
The Federalist
|
Cooke, Jacob E., ed., introd., and notes. |
 |
The Films of Samuel Fuller
If You Die, Ill Kill You |
Dombrowski, Lisa |
 |
Finding Pete
Rediscovering the Brother I Lost in Vietnam |
Hunting, Jill |
 |
Fire in the Stone
Prehistoric Fiction from Charles Darwin to Jean M. Auel |
Ruddick, Nicholas |
 |
Five Black Lives
The Autobiographies of Venture Smith, James Mars, William Grimes, The Rev. G. W. Offley, and James L. Smith |
Bontemps, Arna, introd. |
 |
Flight from Nevèrÿon
|
Delany, Samuel R. |
 |
The Flowers of Evil
|
Baudelaire, Charles; Waldrop, Keith, tr. |
 |
The Folded Heart
|
Collier, Michael |
 |
Fortress
|
Hillman, Brenda |
 |
From the Book to the Book
An Edmond Jabès Reader |
Jabès, Edmond. Tr. from the French by Rosmarie Waldrop; Richard Stamelman, introd. essay. |
 |
From the Country of Nevermore
Selected Poems |
Teillier, Jorge. Mary Crow, tr. and introd. |
 |
The Front Matter, Dead Souls
|
Scalapino, Leslie |
 |
Fuck You-Aloha-I Love You
|
Spahr, Juliana |
 |
A Game for Dancers
Performing Modernism in the Postwar Years, 1945-1960 |
Morris, Gay |
 |
Geographies of Learning
Theory and Practice, Activism and Performance |
Dolan, Jill |
 |
Gilgamesh
A Verse Play |
Komunyakaa, Yusef and Chad Garcia |
 |
Glamour Addiction
Inside the American Ballroom Dance Industry |
McMains, Juliet |
 |
Global Cultures
A Transnational Short Fiction Reader |
Young-Bruehl, Elisabeth, ed. and introd. |
 |
Global Noise
Rap and Hip Hop Outside the USA |
Mitchell, Tony, ed. |
 |
Global Soundtracks
Worlds of Film Music |
Slobin, Mark, ed. |
 |
The Glorious Revolution in America
|
Lovejoy, David S. |
 |
Glottal Stop
101 Poems by Paul Celan |
Celan, Paul. Nikolai Popov and Heather McHugh, trs. |
 |
Gnostic Contagion
Robert Duncan & the Poetry of Illness |
O'Leary, Peter |
 |
Grace, Fallen from
|
Boruch, Marianne |
 |
The Grand Permission
New Writings on Poetics and Motherhood |
Dienstfrey, Patricia and Brenda Hillman, eds. Foreword by Rachel Blau DuPlessis. |
 |
Grave of Light
New and Selected Poems, 19702005 |
Notley, Alice |
 |
Graven Images
New England Stonecarving and its Symbols, 16501815 |
Ludwig, Allan I |
 |
Great River
The Rio Grande in North American History. Vol. 1, Indians and Spain. Vol. 2, Mexico and the United States. 2 vols. in one |
Horgan, Paul |
 |
H.G. Wells
Traversing Time |
Wagar, W. Warren |
 |
The Half-Inch Himalayas
|
Ali, Agha Shahid |
 |
Halfway Down the Hall
New and Selected Poems |
Hadas, Rachel |
 |
Hard Travelin
The Life and Legacy of Woody Guthrie |
Santelli, Robert, and Emily Davidson, eds |
 |
The Heirs of Columbus
|
Vizenor, Gerald |
 |
Henry Austin
In Every Variety of Architectural Style |
OGorman, James F. |
 |
Here on Earth
|
Brennan, Karen |
 |
The Hidden Musicians
Music-Making in an English Town |
Finnegan, Ruth |
 |
Hinge & Sign
Poems, 19681993 |
McHugh, Heather |
 |
Historiography in the Twentieth Century
From Scientific Objectivity to the Postmodern Challenge |
Iggers, Georg G. |
 |
A History of Economic Thought
|
Barber, William J. |
 |
A History of The Eclectic Society of Phi Nu Theta, 18371970
|
Moody, William B. B. |
 |
The History of Tom Jones, A Foundling
|
Fielding, Henry. Martin C. Battestin, introd. and commentary; Fredson Bowers, ed. |
 |
Hollywood Ambitions
Celebrity in the Movie Age |
Orgeron, Marsha |
 |
Honest Water
|
Farnsworth, Robert |
 |
The 'Hood Comes First
Race, Space, and Place in Rap and Hip-Hop |
Forman, Murray |
 |
Hotline Healers
An Almost Browne Novel |
Vizenor, Gerald |
 |
The Hottest Water in Chicago
Notes of a Native Daughter |
Pemberton, Gayle |
 |
The House That Jack Built
The Collected Lectures of Jack Spicer |
Peter Gizzi, ed. and afterword. Spicer, Jack. |
 |
How Charlie Shavers Died and Other Poems
|
Shapiro, Harvey |
 |
A Hubert Harrison Reader
|
Perry, Jeffrey B., ed., Harrison, Hubert |
 |
I Have a Name
|
Ignatow, David |
 |
IVI
MethodStructureIntentionDisciplineNotationIndeterminacy InterpenetrationImitationDevotionCircumstancesVariableStructure NonunderstandingContingencyInconsistencyPerformance |
Cage, John |
 |
Identity and Everyday Life
Essays in the Study of Folklore, Music and Popular Culture |
Berger, Harris M.; Del Negro, Giovanna P. |
 |
il cuore the heart
Selected Poems, 1970-1995 |
Fraser, Kathleen. Peter Quartermain, introd. |
 |
Impossible Dance
Club Culture and Queer World-Making |
Buckland, Fiona |
 |
In Balanchines Company
A Dancers Memoir |
Fisher, Barbara Milberg |
 |
In Mad Love and War
|
Harjo, Joy |
 |
In the Eye of the Hurricane
Tales of Good and Evil, Help and Harm |
Hallie, Philip. Doris A. Hallie, epilogue; John J. Compton, afterward. |
 |
The Incomplete Projects
Marxism, Modernity, and the Politics of Culture |
Freedman, Carl |
 |
Indelible
|
Hadas, Rachel |
 |
Insane Passions
Lesbianism and Psychosis in Literature and Film |
Coffman, Christine E. |
 |
Inside the Minstrel Mask
Readings in Nineteenth-Century Blackface Minstrelsy |
Bean, Annemarie, James V. Hatch, and Brooks McNamara, eds. Mel Watkins, fwd. |
 |
Invasion of the Sea
|
Verne, Jules. Edward Baxter, tr.; Arthur B. Evans, ed. and introd. |
 |
It Is If I Speak
|
Wenderoth, Joe |
 |
Its the Pictures That Got Small
Hollywood Film Stars on 1950s Television |
Becker, Christine |
 |
Jacob Weidenmann
Pioneer Landscape Architect |
Favretti, Rudy J. |
 |
James Dickey
The Selected Poems |
Dickey, James. Robert Kirschten, ed. and introd. |
 |
Jazz Consciousness
Music, Race, and Humanity |
Austerlitz, Paul |
 |
The Jewel-Hinged Jaw
Notes on the Language of Science Fiction |
Delany, Samuel R. |
 |
John Warner Barbers Views of Connecticut Towns, 1834-36
|
Bickford, Christopher P. and J. Bard McNulty, eds. |
 |
José Limón
An Unfinished Memoir |
Limón, José. Lynn Garafola, ed.; Deborah Jowitt, introd.; Carla Maxwell, fwd.; Norton Owen, afterwd. |
 |
Juniper Fuse
Upper Paleolithic Imagination & the Construction of the Underworld |
Eshleman, Clayton |
 |
Kazuo Ohno's World
from without & within |
Ohno, Kazuo; Ohno, Yoshito; Barrett, John , tr.; Mizohata, Toshio, pref. |
 |
The Kingdom of God in America
|
Niebuhr, H. Richard. Martin E. Marty, new introd. |
 |
The Kip Brothers
|
Verne, Jules. Stanford L. Luce, tr. Arthur B. Evans, ed. Jean-Michel Margot, intro and notes. |
 |
The Known World
|
Bogen, Don |
 |
Landfill Meditation
Crossblood Stories |
Vizenor, Gerald |
 |
The Last American Puritan
The Life of Increase Mather, 16391723 |
Hall, Michael G. |
 |
The Last Clear Narrative
|
Zucker, Rachel |
 |
The Last Man
|
Cousin de Grainville, Jean-Baptiste François Xavier; Clarke I.F. & M., trs.; Clarke, I.F, intro. & critical materials |
 |
Lavish Absence
Recalling and Rereading Edmond Jabès |
Waldrop, Rosmarie; Stamelman, Richard, foreword |
 |
Le Style Apollinaire
The Writing of Guillaume Apollinaire |
Zukofsky, Louis. Edited with introduction by Serge Gavronsky; foreword by Jean Daive. |
 |
Legacies of Twentieth-Century Dance
|
Garafola, Lynn |
 |
Levinas, the Frankfurt School and Psychoanalysis
|
Alford, C. Fred |
 |
The Liberal Mind in a Conservative Age
American Intellectuals in the 1940s and 1950s |
Pells, Richard H. |
 |
Life Against Death
The Psychoanalytical Meaning of History |
Brown, Norman O. Christopher Lasch, introd. |
 |
The Light Holds
Poems |
Shapiro, Harvey |
 |
Listening to Salsa
Gender, Latin Popular Music, and Puerto Rican Cultures |
Aparicio, Frances R. |
 |
Little Boat
|
Valentine, Jean |
 |
Live from the Homesick Jamboree
|
Blevins, Adrian |
 |
Locating East Asia in Western Art Music
|
Everett, Yayoi Uno and Frederick Lau, eds. |
 |
Longer Views
Extended Essays |
Delany, Samuel R. Ken James, introd. |
 |
Loose Sugar
|
Hillman, Brenda |
 |
Lullaby for One Fist
|
Werblin, Andrea |
 |
Lumen
|
Flammarion, Camille, Brian Stableford, ed. and translator. |
 |
Lunch
|
Powell, D. A. |
 |
Lust
|
Eigen, Michael |
 |
Luster
|
Bogen, Don |
 |
M
Writings 6772 |
Cage, John |
 |
Magic City
|
Komunyakaa, Yusef |
 |
Making and Selling Culture
|
Ohmann, Richard, ed. With Gage Averill, Michael Curtin, David Shumway, and Elizabeth G. Traube. |
 |
Making Beats
The Art of Sample-Based Hip-Hop |
Schloss, Joseph G. |
 |
Making Freedom
The Extraordinary Life of Venture Smith |
Saint, Chandler B. and George A. Krimsky |
 |
Manufacturing the Muse
Estey Organs and Consumer Culture in Victorian America |
Waring, Dennis G. |
 |
Mark Morris
|
Acocella, Joan |
 |
Martha Hill and the Making of American Dance
|
Soares, Janet Mansfield |
 |
The Measure of Islands
|
Halperin, Mark |
 |
Metal, Rock, and Jazz
Perception and the Phenomenology of Musical Experience |
Berger, Harris M. |
 |
Meteoric Flowers
|
Willis, Elizabeth |
 |
The Mighty Orinoco
|
Verne, Jules; Luce, Stanford, trans; Evans, Arthur B., ed.; Miller, Walter James, intro. & notes |
 |
The Millennium Hotel
The Rider Quintet, vol. 2 |
Rudman, Mark |
 |
Mirrors and Scrims
The Life and Afterlife of Ballet |
Siegel, Marcia B. |
 |
Miscellanies by Henry Fielding, Esq
Volume Two |
Fielding, Henry. Bertrand A. Goldgar, introd. and commentary; Hugh Amory, text ed. |
 |
Mixed Plate
New and Selected Poems |
Kicknosway, Faye |
 |
The Modern Dance
Seven Statements of Belief |
Cohen, Selma Jeanne, ed. and introd. Erick Hawkins, Pauline Koner, José Limón, Donald McKayle, Alwin Nikolais, Anna Sokolow, and Paul Taylor, contribs. |
 |
The Moon Pool
|
Merritt, A.; Levy, Michael, ed. |
 |
Mose
|
Graham, Loren |
 |
Movable Pillars
Organizing Dance, 19561978 |
Kolcio, Katja |
 |
Moving History/Dancing Cultures
A Dance History Reader |
Dils, Ann, and Ann Cooper Albright, eds. |
 |
Moving Toward Life
Five Decades of Transformational Dance |
Halprin, Anna. Rachel Kaplan, ed. |
 |
Music and Cinema
|
Buhler, James, Caryl Flinn, and David Neumeyer,eds. |
 |
Music and Cyberliberties
|
Burkart, Patrick |
 |
Music and Technoculture
|
Lysloff, René T. A. and Leslie C. Gay, Jr., eds. Afterword by Andrew Ross. |
 |
Music of the Common Tongue
Survival and Celebration in African American Music |
Small, Christopher |
 |
Music, Society, Education
|
Small, Christopher. Robert Walser, new fwd. |
 |
MUSICAGE
CAGE MUSES on Words * Art * Music |
Cage, John, in Conversation with Joan Retallack. |
 |
Musical Childhoods and the Cultures of Youth
|
Boynton, Susan; Kok, Roe-Min |
 |
Musicking
The Meanings of Performing and Listening |
Small, Christopher |
 |
Musicking
The Meanings of Performing and Listening |
Small, Christopher |
 |
My Body, The Buddhist
|
Hay, Deborah. Susan Foster, introd. |
 |
My Music
Explorations of Music in Daily Life |
Crafts, Susan D., Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project |
 |
My Vocabulary Did This to Me
The Collected Poetry of Jack Spicer |
Spicer, Jack, edited by Peter Gizzi and Kevin Killian |
 |
The Mysterious Island
|
Verne, Jules. Sidney Kravitz, tr.; Arthur B. Evans, ed.; William Butcher, introd. and notes. |
 |
N by E
|
Kent, Rockwell. Edward Hoagland, fwd. |
 |
National Cold Storage Company
New and Selected Poems |
Shapiro, Harvey |
 |
Neon Vernacular
New and Selected Poems |
Komunyakaa, Yusef |
 |
Neveryóna, or
The Tale of Signs and CitiesSome Informal Remarks Towards the Modular Calculus, Part Four |
Delany, Samuel R. |
 |
New Dark Ages
|
Revell, Donald |
 |
New Directions in European Historiography
|
Iggers, Georg G. |
 |
New Time
|
Scalapino, Leslie |
 |
Next Life
|
Armantrout, Rae |
 |
Next Week, Swan Lake
Reflections on Dance and Dances |
Cohen, Selma Jeanne |
 |
A Nomad Poetics
Essays |
Joris, Pierre |
 |
A Northern Christmas
|
Kent, Rockwell. Doug Capra, introd. |
 |
Not This Pig
Poems |
Levine, Philip |
 |
Notebook of a Return to the Native Land
|
Césaire, Aimé. Clayton Eshleman and Annette Smith, tr. |
 |
Odes and Elegies
|
Hölderlin, Friedrich, Translated by Nick Hoff. |
 |
Of Gravity & Angels
|
Hirshfield, Jane |
 |
Of the Presence of the Body
Essays on dance and Performance Theory |
Lepecki, André, ed. |
 |
The Old Leather Man
Historical Accounts of a Connecticut and New York Legend |
DeLuca, Dan W. |
 |
On Edge
Performance at the End of the Twentieth Century |
Carr, C. |
 |
On Joanna Russ
|
Mendlesohn, Farah, ed. |
 |
On Pagans, Jews, and Christians
|
Momigliano, Arnaldo |
 |
Once Again, La Fontaine
Sixty More Fables |
La Fontaine, Jean de. Norman R. Shapiro, tr.; David Schorr, illus., John Hollander, fwd. |
 |
Original Discontents
Commentaries on the Creation of Connecticuts Constitution of 1818 |
Buel, Richard, Jr. and George J. Willauer, eds. |
 |
Other
British and Irish Poetry since 1970 |
Caddel, Richard, and Peter Quartermain, eds. |
 |
The Other Side of Nowhere
Jazz, Improvisation, and Communities in Dialogue |
Fischlin, Daniel, ed.; Heble, Ajay, ed.; Monson, Ingrid, intro. |
 |
The Outernationale
|
Gizzi, Peter |
 |
Outlandish Blues
|
Jeffers, Honoreé Fanonne |
 |
Papa, Play for Me
The Autobiography of Mickey Katz |
Katz, Mickey. Joel Grey, fwd.; Josh Kun, introd. |
 |
Paris Spleen
little poems in prose |
Baudelaire, Charles, Waldrop, Keith, tr. |
 |
The Peacock Poems
|
Williams, Sherley Anne |
 |
Perspectives on Korean Dance
|
Van Zile, Judy |
 |
Phat Beats, Dope Rhymes
Hip Hop Down Under Comin' Upper |
Maxwell, Ian |
 |
Physical Evidence
Selected Film Criticism |
Jones, Kent |
 |
Picturing Victorian America
Prints by the Kellogg Brothers of Hartford, Connecticut, 1830-1880 |
Finlay, Nancy |
 |
Pieces of Air in the Epic
|
Hillman, Brenda |
 |
The Place Where You Go to Listen
In Search of an Ecology of Music |
Adams, John Luther |
 |
*Planet of the Apes* as American Myth
Race, Politics, and Popular Culture |
Greene, Eric. Richard Slotkin, fwd. |
 |
Pleasure Dome
New and Collected Poems |
Komunyakaa, Yusef |
 |
Poasis
Selected Poems 1986-1999 |
Joris, Pierre |
 |
Poems, 19571967
|
Dickey, James |
 |
Poet Be Like God
Jack Spicer and the San Francisco Renaissance |
Ellingham, Lewis, and Kevin Killian |
 |
Poetic Diction
A Study in Meaning |
Barfield, Owen, Howard Nemerov, fwd. |
 |
Poetry and the Public
The Social Form of Modern U.S. Poetics |
Harrington, Joseph |
 |
The Political Economy of Slavery
Studies in the Economy and Society of the Slave South |
Genovese, Eugene D. |
 |
The Politics of Cultural Practice
Thinking through Theatre in an Age of Globalization |
Bharucha, Rustom |
 |
Politics of Knowledge
The Commercialization of the University, the Professions, and Print Culture |
Ohmann, Richard. Foreword by Janice Radway. |
 |
Popular Music in Theory
An Introduction |
Negus, Keith |
 |
Posing a Threat
Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s |
Latham, Angela J. |
 |
Practical Water
|
Hillman, Brenda |
 |
Precipitations
Contemporary American Poetry as Occult Practice |
Johnston, Devin |
 |
Prejudice and Your Child
|
Clark, Kenneth B. Stuart W. Cook, fwd.; Kenneth B. Clark, introds. |
 |
Prepositions +
The Collected Critical Essays |
Zukofsky, Louis. Charles Bernstein, fwd. Mark Scroggins, ed. and introd. of additional prose. |
 |
Presence and Pleasure
The Funk Grooves of James Brown and Parliament |
Danielsen, Anne |
 |
Provoked in Venice
The Rider Quintet, vol. 3 |
Rudman, Mark |
 |
The Public World/Syntactically Impermanence
|
Scalapino, Leslie |
 |
Puritan Village
The Formation of a New England Town |
Powell, Sumner Chilton |
 |
Queen of the Ebony Isles
|
McElroy, Colleen J |
 |
Rage
|
Eigen, Michael |
 |
Ravishing DisUnities
Real Ghazals in English |
Ali, Agha Shahid, ed. Sarah Suleri Goodyear, afterwd. |
 |
The Real Enough World
|
Brennan, Karen |
 |
Realm of Unknowing
Meditations on Art, Suicide, and Other Transformations |
Rudman, Mark |
 |
Reason and Unreason
Psychoanalysis, Science and Politics |
Rustin, Michael |
 |
Recollecting from the Past
Musical Practice and Spirit Possession on the East Coast of Madagascar |
Emoff, Ron |
 |
Recumbents
|
Deguy, Michel; Baldridge, Wilson, tr. |
 |
Red Planets
Marxism and Science Fiction |
Bould, Mark and China Miéville, eds. |
 |
The Rehearsal of Misunderstanding
Three Collections by Contemporary Greek Women PoetsThe Cake by Rhea Galanaki, Tales of the Deep by Jenny Mastoraki, Hers by Maria Laina |
Van Dyck, Karen, tr. and introd. |
 |
Rescue the Dead
Poems |
Ignatow, David |
 |
Rethinking Disney
Private Control, Public Dimensions |
Budd, Mike and Max H. Kirsch |
 |
Rethinking the Sylph
New Perspectives on the Romantic Ballet |
Garafola, Lynn, ed. |
 |
Return to Nevèrÿon
|
Delany, Samuel R. |
 |
The Returns of Alwin Nikolais
Bodies, Boundaries and the Dance Canon |
Gitelman, Claudia and Randy Martin, editors |
 |
Rhetorics of Fantasy
|
Mendlesohn, Farah |
 |
Rhythms of Resistance
African Musical Heritage in Brazil |
Fryer, Peter |
 |
Rider
The Rider Quintet, vol. 1 |
Rudman, Mark |
 |
The Rider Quintet
|
Rudman, Mark |
 |
The Robbers Cave Experiment
Intergroup Conflict and Cooperation. [Orig. pub. as Intergroup Conflict and Cooperation.] |
Sherif, Muzafer. O. J. Harvey, William R. Hood, Carolyn W. Sherif, Muzafer Sherif, and B. Jack White, contribs.; Donald T. Campbell, new introd. |
 |
Rococo and Other Worlds
|
Syed, Afzal Ahmed; Musharraf Ali Farooqi, trs. |
 |
Roll Call of Mirrors
Selected Poems of Ivan V. Lalic. Tr. from the Serbian |
Lalic, Ivan V. Charles Simic, tr. and introd. |
 |
Roll over Beethoven
The Return of Cultural Strife |
Aronowitz, Stanley |
 |
Running with the Devil
Power, Gender, and Madness in Heavy Metal Music |
Walser, Robert |
 |
Salamina
|
Kent, Rockwell, Scott Ferris, forward |
 |
Same-Sex Marriage
The Legal and Psychological Evolution in America |
Cantor, Donald J.; Cantor, Elizabeth; Black, James C.; Barrett, Campbell D. |
 |
Saving the Appearances
A Study in Idolatry. |
Barfield, Owen |
 |
Sea Room
|
Flook, Maria |
 |
Selected Poems
1950-2000 |
Tarn, Nathaniel |
 |
Selected Poems
|
Tate, James |
 |
Selected Poems
|
Shapiro, Harvey. James Atlas, introd |
 |
Selected Poetry, 19371990
|
Cabral de Melo Neto, João. Djelal Kadir, ed. |
 |
The Self-Dismembered Man
Selected Later Poems of Guillaume Apollinaire |
Apollinaire, Guillaume; Revell, Donald, tr. |
 |
Sensational Knowledge
Embodying Culture through Japanese Dance |
Hahn, Tomie |
 |
A Sense of Wonder
Samuel R. Delany, Race, Identity, and Difference |
Tucker, Jeffrey Allen |
 |
The Sensitive Self
|
Eigen, Michael |
 |
Setting the Record Straight
A Material History of Classical Recording |
Symes, Colin |
 |
The Seven Beauties of Science Fiction
|
Csicsery-Ronay, Istvan, Jr. |
 |
Seven Controlled Vocabularies and Obituary 2004. The Joy of Cooking
[AIRPORT NOVEL MUSICAL POEM PAINTING FILM PHOTO HALLUCINATION LANDSCAPE]
|
Lin, Tan |
 |
Seven for the Apocalypse
|
Reed, Kit |
 |
The Seventh Stream
The Emergence of Rocknroll in American Popular Music |
Ennis, Philip H. |
 |
Sex and the Slayer
A Gender Studies Primer for the Buffy Fan |
Jowett, Lorna |
 |
Shades
|
McHugh, Heather |
 |
Shadow Distance
A Gerald Vizenor Reader |
Vizenor, Gerald A. |
 |
Shadowing the Ground
|
Ignatow, David |
 |
Shorter Views
Queer Thoughts & the Politics of the Paraliterary |
Delany, Samuel R. |
 |
The Sights Along the Harbor
New and Collected Poems |
Shapiro, Harvey |
 |
Signs and Abominations
|
Beasley, Bruce |
 |
Signs of Life
Six Comedies of Menace |
Schenkar, Joan M. Vivian Patraka, ed. and introd. |
 |
Silence
Lectures and Writings |
Cage, John |
 |
Silence in the Snowy Fields
Poems |
Bly, Robert |
 |
Silent Interviews
On Language, Race, Sex, Science Fiction, and Some ComicsA Collection of Written Interviews |
Delany, Samuel R. |
 |
Silent Stars
|
Basinger, Jeanine |
 |
Singing Archaeology
Philip Glasss Akhnaten |
Richardson, John |
 |
Singing Our Way to Victory
French Cultural Politics and Music during the Great War |
Sweeney, Regina M. |
 |
Singularities
|
Howe, Susan |
 |
The Sleep That Changed Everything
|
Brown, Lee Ann |
 |
So Dreadfull a Judgment
Puritan Responses to King Philips War, 16761677 |
Slotkin, Richard, and James K. Folsom, eds. |
 |
Solkattu Manual
An Introduction to the Rhythmic Language of South Indian Music |
Nelson, David P. |
 |
Some Liked It Hot
Jazz Women in Film and Television, 19281959 |
McGee, Kristin A. |
 |
Some Values of Landscape and Weather
|
Gizzi, Peter |
 |
Songs, Dreamings, and Ghosts
The Wangga of North Australia |
Marett, Allan |
 |
Songs, Dreamings, and Ghosts
The Wangga of North Australia |
Marett, Allan |
 |
Sonnets to Orpheus
|
Rilke, Rainer Maria. David Young, tr. and introd. |
 |
The South Korean Film Renaissance
Local Hitmakers, Global Provocateurs |
Choi, Jinhee |
 |
The Spaces Between Birds
Mother/Daughter Poems, 19671995 |
McPherson, Sandra |
 |
Splitting and Binding
|
Rogers, Pattiann |
 |
A Splurch in the Kisser
The Movies of Blake Edwards |
Wasson, Sam |
 |
Staging Whiteness
|
Brewer, Mary F. |
 |
Stance
Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture |
Berger, Harris M. |
 |
Star Begotten
A Biological Fantasia |
Wells, H.G.; Huntington, John, ed. |
 |
Star Maker
|
Stapledon, Olaf; McCarthy, Patrick A. , ed.; Dyson, Freeman J., fwd. |
 |
Stars in My Pocket Like Grains of Sand
|
Delany, Samuel R.; Carl Freedman, fwd. |
 |
Stèles
|
Segalen, Victor, Timothy Billings & Christopher Bush, trs., Haun Saussy, frwd. |
 |
Stories in Stone
How Geology Influenced Connecticut History and Culture |
Zeilinga de Boer, Jelle |
 |
Stove by a Whale
Owen Chase and the Essex |
Heffernan, Thomas Farel |
 |
Subcultural Sounds
Micromusics of the West |
Slobin, Mark |
 |
Subterranean Worlds
A Critical Anthology |
Fitting, Peter |
 |
Sundays on the Phone
The Rider Quintet, vol. 5 |
Rudman, Mark |
 |
Symphonic Metamorphoses
Subjectivity and Alienation in Mahlers Re-Cycled Songs |
Knapp, Raymond |
 |
Taken by Surprise
A Dance Improvisation Reader |
Albright, Ann Cooper, and David Gere, eds. |
 |
Taking on the Local Color
Poems |
Genser, Cynthia |
 |
Tales of Nevèrÿon
|
Delany, Samuel R. |
 |
Tea
|
Powell, D. A. |
 |
The Teatro Solís
150 Years of Opera, Concert and Ballet in Montevideo |
Salgado, Susana. Foreword by E. Thomas Glasow, preface by Julio Marìa Sanguinetti |
 |
Ten to One
Selected Poems |
Perelman, Bob |
 |
The Tennis Court Oath
A Book of Poems |
Ashbery, John |
 |
Terpsichore in Sneakers
Post-Modern Dance |
Banes, Sally |
 |
A Test of Poetry
|
Zukofsky, Louis. Robert Creeley, fwd |
 |
Theater and the Politics of Culture in Contemporary Singapore
|
Peterson, William |
 |
There Are Three
Poems |
Revell, Donald |
 |
Thieves of Paradise
|
Komunyakaa, Yusef |
 |
A Thousand Honey Creeks Later
My Life in Music from Basie to Motownand Beyond |
Love, Preston. Johnny Otis, pref.; George Lipsitz, introd. |
 |
Tickets for a Prayer Wheel
|
Dillard, Annie; Collier, Michael, foreword |
 |
Times Alone
Selected Poems of Antonio Machado |
Machado, Antonio. Chosen and tr. by Robert Bly. |
 |
Toward the Open Field
Poets on the Art of Poetry 1800-1950 |
Kwasny, Melissa, ed. |
 |
Toward Wholeness
Rudolf Steiner Education in America |
Richards, Mary Caroline |
 |
Traces of Light
Absence and Presence in the Work of Loïe Fuller |
Albright, Ann Cooper |
 |
Trans
|
Raz, Hilda |
 |
Traveling Spirit Masters
Moroccan Gnawa Trance and Music in the Global Marketplace |
Kapchan, Deborah |
 |
Treadwinds
Poems and Intermedia Works |
Lew, Walter K. |
 |
Tree
belief / culture / balance |
Lemon, Ralph |
 |
Trilce
|
Vallejo, César. Clayton Eshleman, tr.; Spanish text established by Julio Ortega; Américo Ferrari, introd. |
 |
Trouble on Triton
An Ambiguous Heterotopia |
Delany, Samuel R. Kathy Acker, fwd. |
 |
The True Patriot and Related Writings
|
Fielding, Henry. W. B. Coley, ed. |
 |
Tug
|
Booker, Stephen Todd |
 |
The Twentieth Century
|
Robida, Albert; Willems, Philippe, tr. & intro..; Evans, Arthur B., ed. |
 |
The Two of Them
|
Russ, Joanna, Sarah LeFanu, fwd. |
 |
Up to Speed
|
Armantrout, Rae |
 |
Upside Your Head!
Rhythm and Blues on Central Avenue |
Otis, Johnny. George Lipsitz, introd. |
 |
A Useful Art
Essays and Radio Scripts on American Design |
Zukofsky, Louis. Edited with an introduction by Kenneth Sherwood; afterword by John Taggart. |
 |
Veil
New and Selected Poems |
Armantrout, Rae. |
 |
Versed
|
Armantrout, Rae |
 |
Virtual Muse
Experiments in Computer Poetry |
Hartman, Charles O. |
 |
A Visit to Civilization
|
McPherson, Sandra |
 |
Visual Culture
Images and Interpretations |
Bryson, Norman, Michael Ann Holly, and Keith Moxey, eds. |
 |
The Vitality of Objects
Exploring the Work of Christopher Bollas |
Scalia, Joseph, ed. Malcolm Bowie, preface. |
 |
Voices in Bali
Energies and Perceptions in Vocal Music and Dance Theater |
Herbst, Edward. Judith Becker, fwd.; René T. A. Lysloff, afterward. |
 |
Voyaging
Southward from the Strait of Magellan |
Kent, Rockwell |
 |
Walking in Stone
|
Spaulding, John |
 |
Watching Daytime Soap Operas
The Power of Pleasure |
Spence, Louise |
 |
We Who Are About To...
|
Russ, Joanna, Samuel R. Delany, intro. |
 |
Weird Women, Wired Women
|
Reed, Kit. Connie Willis, fwd |
 |
Welcome to Wesleyan
Campus Buildings |
Starr, Leslie |
 |
The Wesleyan Tradition
Four Decades of American Poetry |
Collier, Michael, ed. |
 |
Wesleyan University, 18311910
Collegiate Enterprise in New England |
Potts, David B. |
 |
Westover
Giving Girls a Place of Their Own |
Lisle, Laurie |
 |
What Kind
|
Zweig, Martha |
 |
What Madness Brought Me Here
New and Selected Poems, 19681988 |
McElroy, Colleen J. |
 |
Where Id Was
Challenging Normalization in Psychoanalysis |
Molino, Anthony, and Christine Ware, eds. |
 |
The White Fire of Time
|
Hinsey, Ellen |
 |
The White Rose
Munich, 19421943 |
Scholl, Inge. Tr. from the German by Arthur R. Schultz; Dorothee Sölle, introd. |
 |
The Whole Motion
Collected Poems, 19451992 |
Dickey, James |
 |
A Wild Perfection
The Selected Letters of James Wright |
Wright, James, Anne Wright and Saundra Rose Maley, eds. |
 |
Wilderness
A Journal of Quiet Adventure in AlaskaIncluding Extensive Hitherto Unpublished Passages from the Original Journal |
Kent, Rockwell. Doug Capra, fwd. |
 |
Winter Music
Composing the North |
Adams, John Luther. Gann, Kyle, fwd. |
 |
Wired for Sound
Engineering and Technologies in Sonic Cultures |
Greene, Paul D., and Porcello, Thomas, eds. Greene, Paul D. and Porcello, Thomas, contribs. |
 |
A Womans View
How Hollywood Spoke to Women, 19301960 |
Basinger, Jeanine. |
 |
The Work of Dance
Labor, Movement, and Identity in the 1930s |
Franko, Mark |
 |
The World as It Shall Be
|
Souvestre, Émile. Clarke, Margaret, tr.; Clarke, I.F., ed. |
 |
The World the Slaveholders Made
Two Essays in Interpretation |
Genovese, Eugene D. |
 |
The World War II Combat Film
Anatomy of a Genre |
Basinger, Jeanine |
 |
Writing Dancing in the Age of Postmodernism
|
Banes, Sally |
 |
Writing in Motion
BodyLanguageTechnology |
King, Kenneth |
 |
Writing Through
Translations and Variations |
Rothenberg, Jerome |
 |
X
Writings 7982 |
Cage, John |
 |
A Year from Monday
New Lectures and Writings |
Cage, John |
 |
Yellow Light
Poems |
Hongo, Garrett Kaoru |
 |
The Yellow Wave
A Romance of the Asiatic Invasion of Australia |
Mackay, Kenneth. Edited by Andrew Enstice and Janeen Webb |
 |
You Better Work!
Underground Dance Music in New York |
Fikentscher, Kai |
 |
Zither & Autobiography
|
Scalapino, Leslie |
 |
Zong!
|
Philip, M. NourbeSe, as told to the author by Setaey Adamu Boateng |
|