 elcome to Dartmouth College Press, a member press of the University Press of New England (UPNE).
Dartmouth College’s unique focus on personalized arts and science
learning has made it a global leader in liberal education. This unique
focus is reflected in the books that Dartmouth College Press publishes.
DCP’s interdisciplinary approach to publishing touches on everything
from the fine and visual arts, to cross-cultural criticisms of American
Studies, to global health and medicine. Interfaces: Studies in Visual Culture,
is a perfect representation of Dartmouth's ever-growing commitment to
the study of visual culture. Similarly, Donald Pease, as founder and
director of The Futures of American Studies Institute, has created the
new series Remapping the Trans-National: A Dartmouth Series in American Studies, which serves as a forum for Dartmouth's leadership in charting the future course of American Studies throughout the world.
Other important series include Reencounters with Colonialism and The Collected Writings of Rousseau.
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FEATURE TITLES
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A More Conservative Place
Intellectual Culture in the Bush Era
Paul A. Bové
An intervention toward understanding the recent dark political and intellectual days
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Time and the Digital
Connecting Technology, Aesthetics, and
a Process Philosophy of Time
Timothy Scott Barker
An original consideration of the temporal in digital art and aesthetics |
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No Innocent Bystanders
Performance Art and Audience
Frazer Ward
The changing role of the spectator in contemporary performance art |
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Forever New
The Speeches of James Wright,
President of Dartmouth College, 1998–2009
James Wright; Sheila Culbert, ed.
The collected speeches of Dartmouth’s sixteenth president |
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