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Visual Culture
Images and Interpretations
Norman Bryson, ed.; Michael Ann Holly, ed.; Keith Moxey, ed.
Wesleyan University Press
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Contents
• List of Illustrations • Preface • Introduction; Griselda Pollock—Feminism/Foucault—Surveillance/Sexuality • Lisa Tickner—Men’s Work? Masculinity and Modernism • John Tagg—The Discontinuous City: Picturing and the Discursive Field • Keith Moxey—Hieronymus Bosch and the “World Upside Down”: The Case of The Garden of Earthly Delights • Thomas Crow—Observations on Style and History in French Painting of the Male Nude, 1785-1794 • Whitney Davis—The Renunciation of Reaction in Girodet’s Sleep of Endymion • Wolfgang Kemp—The Theater of Revolution: A New Interpretation of Jacques-Louis David’s Tennis Court Oath • Norman Bryson—Géricault and “Masculinity”; Ernst Van Alphen—Strategies of Identification • Kaja Silverman—Fassbinder and Lacan: A Reconsideration of Gaze, Look, and Image • Constance Penley—Feminism, Psychoanalysis, and the Study of Popular Culture • Andres Ross—The Ecology of Images • Michael Ann Holly—Wölfflin and the Imagining of the Baroque • Mieke Bal—Dead Flesh, or the Smell of Painting • David Summers—Form and Gender • List of Contributors • Index
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