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Stardust Monuments
The Saving and Selling of Hollywood
Alison Trope



Interfaces: Studies in Visual Culture

Dartmouth College Press
2012 • 256 pp. 30 illus. 6 x 9"
Film, TV, Visual Culture / Popular Culture

$35.00 Paperback, 978-1-61168-046-1
$85.00 Hardcover, 978-1-61168-045-4

$29.99 Ebook, 978-1-61168-195-6

Check your ebook retailer or local library for ebook availability.

(Cloth edition is un-jacketed.
Cover illustration is for paperback edition only)



Stardust Monuments is a much-needed contribution to he growing literature on firm and cultural institutions, including work on film and cultural institutions, including work on film museums, film education, and fan culture. The chapters on theme parks, stores, and home entertainment are particularly rich with carefully observed detail.”—Moving Image

Hollywood is placeless, timeless, and iconic, a key fabricator and forger of American cultural myths and stories. How, then, will the history of Hollywood be written?

Stardust Monuments spotlights the enduring efforts to memorialize and canonize the history and meaning of Hollywood and American film culture. In this engaging analysis, Alison Trope explores the tensions between art and commerce as they intersect in a range of nonprofit and for-profit institutions and products.

An insightful tour of Hollywood’s past, present, and future, Stardust Monuments examines the establishment of film libraries and museums beginning in the mid 1930s, the many failed attempts to open a Hollywood museum ranging from the 1960s to today, and the more successful recent corporate efforts to use Hollywood’s past in theme restaurants and parks, classic movie channels, and DVD boxed sets.

This fascinating narrative details the ongoing struggle to champion and codify Hollywood’s legacy, a struggle engaged in by Hollywood stars and corporate executives, as well as memorabilia collectors and users of IMDb.

Click here for TABLE OF CONTENTS

Endorsements:

“Alison Trope’s new book, Stardust Monuments, is an extremely important contribution to Hollywood’s institutional history, because it focuses for the first time on the way the entertainment industry has portrayed its own history (or not) through various media, including museum exhibitions, film archives and theme parks.”—Dr. Jan-Christopher Horak, director, UCLA Film & Television Archive

“Eloquently written and rich in rigorous research, Stardust Monuments impels us to wonder not just where Hollywood is, but, strikingly, what it is—it’s not only a geographical locale but a mythology, a state of mind, that finds its life extended in complex (and sometimes curious) venues and sites from museums to themed restaurants to specialty stores to cable channels to new realms of electronic virtuality. A far-reaching investigation.”—Dana Polan, Cinema Studies, New York University



ALISON TROPE is clinical associate professor at the Annenberg School for Communication & Journalism at the University of Southern California.






Wed, 5 Nov 2014 15:34:51 -0500