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Horizons of Enchantment
Essays in the American Imaginary
Lene M. Johannessen



Re-Mapping the Transnational: A Dartmouth Series in American Studies

Dartmouth College Press
2011 • 168 pp. 6 x 9"
Literary Criticism / American Studies

$35.00 Paperback, 978-1-61168-000-3
$85.00 Hardcover, 978-1-58465-999-0

$7.99 Ebook, 978-1-61168-013-3

Check your ebook retailer or local library for ebook availability.

(Cloth edition is un-jacketed.
Cover illustration is for paperback edition only)



“Despite the wide range of historical periods she covers (from the 19th century to the 21st), Johannessen’s focus on the imaginary is strong, and she makes insightful connections. Though inexperienced readers may be perplexed by the plentiful theoretical jargon, more advanced readers will likely appreciate Johannessen’s unique take on American literature.”—Choice

A unique and original reading of the American imaginary

Horizons of Enchantment is about the peculiar power and exceptional pull of the imaginary in American culture. Johannessen’s subject here is the almost mystical American belief in the promise and potential of the individual, or the reliance on a kind of “modern magic” that can loosely be characterized as a fundamental and unwavering faith in the secular sanctity of the American project of modernity. Among the diverse topics and cultural artifacts she examines are the Norwegian American novel A Saloonkeeper’s Daughter by Drude Krog Janson, Walt Whitman’s Song of Myself, Rodolfo Gonzales’s I Am Joaquín, Richard Ford’s The Sportwriter, Ana Menéndez’s In Cuba I Was a German Shepherd, essays by Samuel Huntington and Richard Rodriquez, and the 2009 film Sugar, about a Dominican baseball player trying to make it in the big leagues. In both her subject matter and perspective, Johannessen reconfigures and enriches questions of the transnational and exceptional in American studies.

Click here for TABLE OF CONTENTS

Reviews:

“The strength of this book is in its approach. It does not ignore traditional American Studies or past reflections but rather side-steps them and comes to them via a different path. Johannessen says her readings ‘attempt to calibrate how the imaginary’s contours materialize’ and, overall, she does this well.”—Transnational Literature

Endorsements:

“This work makes an invaluable contribution to the philosophy and theory of American culture through its literature. The author has strategically chosen certain authors to pinpoint a nexus of interrelated concepts that help support the provocative, yet elusive, notion in terms of a master imaginary. Each chapter represents a cardinal point that connects the multiple dots of a literary imaginary, thus providing an incisive, smart discussion on a subject most critics can’t handle. Johannessen makes it seem relatively easy through her unique outsider view of American expression. There is no doubt we need more such readings to better appreciate what American literature accomplishes when it is not fully conscious of its aesthetic project.”—Francisco A. Lomelí, University of California, Santa Barbara



LENE M. JOHANNESSEN is a professor of American literature and culture in the Department of Foreign Languages at the University of Bergen, Norway. She is the author of Threshold Time: Passage of Crisis in Chicano Literature and has edited several books on American Studies.






Wed, 5 Nov 2014 15:33:44 -0500