Bookmark and Share
Click for larger image

Jewish Dimensions in Modern Visual Culture
Antisemitism, Assimilation, Affirmation
Rose-Carol Washton Long, ed.; Matthew Baigell, ed.; Milly Heyd, ed.



Tauber Institute Series for the Study of European Jewry

Brandeis University Press
2009 • 356 pp. 55 illus. 6 x 9"
Art History / Cultural Studies


$55.00 Hardcover, 978-1-58465-795-8



"Even visual artists whose materials do not include text often signal the Jewishness of their work through their vocabularies: including images of a bearded hasid, a six-pointed star, or of Hebrew letters in paintings, sculptures, or architectural designs is the equivalent of having a character speak untrammeled mameloshn. Yet can't a Jew eschew such obvious symbols and instead somehow paint with a Jewish "accent"? Scholars tackle questions along these lines in Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation, a collection of essays that attempt to explain how those strange bedfellows, Jewishness and modernism, managed to get along."—Tablet Magazine

A fascinating look at key aspects of visual culture in modern Jewish history

In modern western history, the cultural and social developments of modernism have long been associated with Jews. For conservative groups this has been a negative association: the perceived breakdown of traditional norms was blamed on Jewish influence in politics, society, and the arts. Throughout Europe, Jews were viewed as carriers of industrialized and cosmopolitan developments that threatened to undermine a cherished way of life.

This anthology speaks to this issue through the lens of modernist visual production including paintings, posters, sculpture, and architecture. Essays by scholars from the U.S. and Israel confront the contradictory impulses that modernism's interaction with Jewish culture provoked. Discussing how religion, class, race, and political alignments were used to provide attacks on modern art, the scholars also comment on visual responses to anti-semitism and the mainstream success of artists in the U.S. and Israel since World War II.

Click here for TABLE OF CONTENTS

Reviews:

“The collection is an ambitious undertaking in its breadth. . . which can—and hopefully will—inspire further studies and similar collaborations.”German Studies Review

Endorsements:

“This book explores in depth three extremely valuable perspectives on the Jewish encounter with modernity: its initial reception, its coded meanings and its more recent affirmation. Aspects of our cultural formation we might otherwise take for granted are insightfully interpreted by the contributors to this volume. From the perspective of the 21st Century, it is especially valuable to understand both the early attraction of modernism for Jewish artists and intellectuals and to be reminded of the virulent attacks on those Jews who embraced modernism. These essays, written with passion and erudition, reveal a pattern of discriminatory attitudes that it would be wise not to forget.”—Ruth Weisberg, Dean, Roski School of Fine Arts, University of Southern California



ROSE-CAROL WASHTON LONG is professor of art history, The Graduate Center, CUNY. MATTHEW BAIGELL is emeritus professor of art history, Rutgers University. MILLY HEYD is Nicolas Landau Professor of Modern Art in the Department of the History of Art at Hebrew University, Jerusalem.






Fri, 8 Aug 2014 12:02:13 -0500