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Writing National Cinema
Film Journals and Film Culture in Peru
Jeffrey Middents



Interfaces: Studies in Visual Culture

Dartmouth College Press
2009 • 290 pp. 21 illus. 6 x 9"
Media Studies / Film, TV, Visual Culture


$50.00 Hardcover, 978-1-58465-776-7

$7.99 Ebook, 978-1-58465-842-9

Check your ebook retailer or local library for ebook availability.



“This is an original, groundbreaking effort to identify and analyze the key critical issues as they unfolded in the nation’s film journals. . . . Recommended.”Choice

A study of Peruvian Cinema and the role of criticism in forming a national cinematic vision

Writing National Cinema traces the twenty-year history of the Peruvian film journal Hablemos de cine alongside that of Peruvian filmmaking and film culture. Similar to the influential French journal Cahiers du cinéma, Hablemos de cine began with a group of young critics interested in claiming the director’s use of mise-en-scène as the exclusive method of film analysis rather than thematic or star-oriented topics — hence, the title of the publication, derived from their battle cry at post-screening discussions: “Let’s talk about film.” Their critical authority grew with the rise of local filmmaking and the nationalist fervor of the late 1960s and early 1970s. When government sponsorship spurred feature filmmaking in the mid-1970s, their perspective eschewed the politically militant readings that characterized most writing and film from the rest of Latin America at the time. By the 1980s, the critics at Hablemos de cine had helped to engender a commercial, Hollywood-influenced cinematic vision—best exemplified by Peruvian auteur Francisco Lombardi—and stimulated a unique, if isolating, national identity through film. The first book-length study of Peruvian film culture to appear in English, Middents’s work offers thoughtful consideration of the impact of criticism on the visual stylings of a national cinema.

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Endorsements:

“Jeffrey Middents’ fascinating study of Hablemos de cine, the longest running independent film journal in Latin America, not only promulgates a fruitful area of scholarship on the importance of print culture and film criticism in Latin American film studies, but it also encourages a rethinking of the primacy of the New Latin American Cinema movement canon, and the place that Peruvian film critics and directors had within it.”—Tamara L. Falicov, University of Kansas, author of The Cinematic Tango: Contemporary Argentine Film



JEFFREY MIDDENTS is an assistant professor in the department of literature at American University in Washington, D.C.






Mon, 23 Jun 2014 12:47:13 -0500