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Materializing New Media
Embodiment in Information Aesthetics
Anna Munster



Interfaces: Studies in Visual Culture

Dartmouth College Press
2006 • 256 pp. 22 illus. 6 x 9"
Film, TV, Visual Culture / Visual Studies

$29.95 Paperback, 978-1-58465-558-9
$27.99 Ebook, 978-1-61168-294-6

Check your ebook retailer or local library for ebook availability.



"[A]n excellent read."
British Journal of Aesthetics

A significant contribution to investigations of the social and cultural impact of new media and digital technologies

In Materializing New Media, Anna Munster offers an alternative aesthetic genealogy for digital culture. Eschewing the prevailing Cartesian aesthetic that aligns the digital with the disembodied, the formless, and the placeless, Munster seeks to “materialize” digital culture by demonstrating that its aesthetics have reconfigured bodily experience and reconceived materiality.

Her topics range from artistic experiments in body-computer interfaces to the impact that corporeal interaction and geopolitical circumstances have on producing new media art and culture. She argues that new media, materiality, perception, and artistic practices now mutually constitute “information aesthetics.” Information aesthetics is concerned with new modes of sensory engagement in which distributed spaces and temporal variation play crucial roles. In analyzing the experiments that new media art performs with the materiality of space and time, Munster demonstrates how new media has likewise changed our bodies and those of others in global information culture.

Materializing New Media calls for a re-examination of the roles of both body and affect in their relation to the virtual and to abstract codes of information. It offers a nonlinear approach to aesthetics and art history based on a concept of “folding” that can discern certain kinds of proximities and continuations across distances in time (in particular between the Baroque and the digital). Finally, it analyzes digital culture through a logic of the differential rather than of the binary. This allows the author to overcome a habit of futurism, which until now has plagued analyses of new media art and culture. Technology is now not seen as surpassing the human body but continually reconfiguring it and constitutive of it.

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Reviews:

"Munster emphasizes . . . connections between the organic and artificial, senses and thought, and arts and sciences rather than linearity, hierarchical arrangements, and binaries."Feminist Studies

Endorsements:

"A leading voice in a global, web-weaned generation, Anna Munster's eagerly anticipated storm of information aesthetics and dirty pixels will pass hand to hand in the digital arts movement." —Sean Cubitt, University of Waikato, New Zealand

"Anna Munster's Materializing New Media is as daring, as erudite and as precise as such an ambitious book needs to be . . . It moves through a dazzling series of accounts of contemporary new media art works, and towards a sensitive analysis of the contemporary political effects of global information technologies. The result is a rich understanding of the new relation of digitality and matter . . . it is the first book to provide a framework—a refreshingly open framework—from which to understand the work of material work of new media from within."—Andrew Murphie, University of New South Wales, Sydney, Australia



ANNA MUNSTER is a senior lecturer in digital media theory at the School of Art History and Theory, College of Fine Arts, University of New South Wales, Sydney, Australia.






Fri, 8 Aug 2014 11:56:36 -0500