University Press of New England

Beginning November 19, 2018 Dartmouth College Press and 
Brandeis University Press titles and titles published under the
University Press of New England and ForeEdge imprints are available through: 

Chicago Distribution Center 
Phone orders: (800) 621-2736 (USA/Canada); (773) 702-7000 (International)
Fax orders: (800) 621-8476 (USA/Canada); (773) 702-7212 (International). 

Web orders will resume on this website for
Dartmouth, Brandeis, and UPNE/ForeEdge soon.

Bookmark and Share

Cover image Click for larger image

Radio Free Boston
The Rise and Fall of WBCN
Carter Alan; Steven Tyler, fwd.

2013 • 352 pp. 88 illus. (14 color) 6 1/8 x 9 1/4"
Radio History & Criticism / Rock Music

$25.95 Paperback, 978-1-55553-729-6
$19.99 Ebook, 978-1-55553-826-2

Check your ebook retailer or local library for ebook availability.

“From the first note of Cream’s “I Feel Free” carried by the FM signal at 104.1 in 1968 to the final note of Pink Floyd’s “Shine on You Crazy Diamond... [continued in Reviews below]”—Boston Globe

The definitive story of the pioneering rock radio station that galvanized a city and a generation

Blaring the Cream anthem “I Feel Free,” WBCN went on the air in March 1968 as an experiment in free-form rock on the fledgling FM radio band. It broadcast its final song, Pink Floyd’s “Shine On You Crazy Diamond,” in August 2009. In between, WBCN became the musical, cultural, and political voice of the young people of Boston and New England, sustaining a vibrant local music scene that launched such artists as the J. Geils Band, Aerosmith, James Taylor, Boston, the Cars, and the Dropkick Murphys, as well as paving the way for Bruce Springsteen, Tom Petty, U2, and many others. Along the way, WBCN both pioneered and defined progressive rock radio, the dominant format for a generation of listeners. Brilliantly told by Carter Alan—and featuring the voices of station insiders and the artists they loved—Radio Free Boston is the story of a city; of artistic freedom, of music and politics and identity; and of the cultural, technological, and financial forces that killed rock radio.

Click here for TABLE OF CONTENTS

Reviews / Endorsements

“From the first note of Cream’s “I Feel Free” carried by the FM signal at 104.1 in 1968 to the final note of Pink Floyd’s “Shine on You Crazy Diamond” bringing the story to a close in 2009, Alan traces the station’s wild ride from its roots as a foundering classical music operation (WBCN stood for Boston Concert Network and employed a young Ron Della Chiesa), to its evolution into a free-form, counterculture outpost, and finally to a tightly controlled, corporate enterprise with two of its most popular, and controversial, shows emanating out of New York City. . . . The fairy tale of WBCN may not have had a happy ending, but Alan tells it with the kind of flair that does its original free-form spirit proud.”—Boston Globe

“Incredibly well researched, deeply interviewed, and as close to being ‘down the middle’ as is possible for a writer who was involved in much of the action.”—Arts Fuse

“Carter Alan remembers the first song he played on WBCN, “I’ve Had Enough” by The Who, from “Quadrophenia.” The former ’BCN DJ and current midday man and music director at WZLX remembers much more in his recently released and thoroughly engrossing chronicle, Radio Free Boston: The Rise and Fall of WBCN.”—Boston Globe

“Alan’s book traces WBCN’s unassuming birth from the ashes of a classical music station in 1968, through its heyday as the ‘Rock of Boston’ in the ‘70s and ‘80s, to its demise in 2009, when, Alan writes, the station was ‘drained of its blood in the consolidated radio industry of the new century.’ To recount the story, Alan interviewed most every personality involved and willing to speak on the record.”—Boston Globe

“WBCN—four letters that made a big difference to our U and our 2. . . . Without them taking risks on new music, I’m not sure the U2 story would have been the same.” —Bono

“WBCN welcomed us in those early days; so much so, that Boston became a home away from home for the Allman Brothers Band and for me. ’BCN was truly one of the greatest of American radio stations. I miss those guys.” —Gregg Allman

“To a kid growing up in the suburbs of Boston, WBCN was on the front line of the culture war, with Peter Wolf, Maxanne Sartori, J.J. Jackson, and all the rest bringing us the music that would be the soundtrack to our cause.” —Joe Perry

“I hereby certify that Carter Alan’s cast of hippies, freaks, madmen, admen, music fans, leftists, visionaries, new wavers, New Agers, grunge dudes, bluesmen, and especially rock stars and the girls that love them is worthy of a sprawling novel that now doesn’t have to be written because Carter Alan expertly brings it all to life in Radio Free Boston.”
—Stephen Davis, author of
Hammer of the Gods and Walk This Way

Currently a DJ and music director at WZLX in Boston, CARTER ALAN was a DJ at WBCN for nineteen years. He is the author of U2, Outside Is America, and Life on the Road.

Thu, 14 Mar 2019 13:07:55 -0500