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From Psalm to Symphony
A History of Music in New England
Nicholas E. Tawa




Northeastern University Press
2001 • 466 pp. 12 illus. 6 x 9"
Music / American History


$45.00 Hardcover, 978-1-55553-491-2



“This monograph is a valuable addition to the growing library of works on American music history. It will be particularly useful as a source for musicians interested in locating and championing excellent, infrequently heard American works for concert programming, from piano solos and art songs to symphonies, tone poems, oratorios, and operas.”—Notes: Journal of the Music Library Association

Examines for the first time New England's rich heritage of music making over a span of 350 years

Beginning with the Pilgrim and Puritan settlers on the rockbound wilderness of Massachusetts Bay, New Englanders have left an enduring imprint on America's musical landscape. Now musicologist Nicholas E. Tawa examines for the first time New England's rich heritage of music making over a span of 350 years.

In this sweeping chronological account, Tawa traces the region's fascinating history of art music from the psalm and hymn singing of the early colonists, to the works of native composers, to the Boston Symphony Orchestra. He chronicles artistic developments within the context of the geographical, economic, cultural, and political currents that influenced and defined the area's musical experiences, and he describes how ongoing societal transformations and evolving forms of music have both enriched and reinvented a New England identity.

Focusing on the people who wanted, produced, and listened to music, Tawa's eloquent narrative underscores how musical life in New England has played a significant role in shaping the nation's music. He highlights the region's preeminence in music publishing, its outstanding contributions to the improvement and manufacture of instruments, its commitment to music education, and its leadership in establishing first-rate musical institutions. Also featured are New England's many gifted and skilled composers, including William Billings, John Knowles Paine, Arthur Foote, Amy Beach, Charles Ives, Frederick Shepherd Converse, Randall Thompson, Walter Piston, Gunther Schuller, and John Harbison.

This highly readable and informative volume will appeal to music aficionados, historians, and general readers alike.

Reviews:

“Against a backdrop of societal forces and philosophical ideals, many of which have been prevalent since Colonial times, [Tawa] deftly chronicles the interactions of composers, musical organizations, and patrons. . . . Of value to musicians but accessible to nonmusicians, this work is essential for all American music collections and every library in New England.”—Library Journal



Nicholas E. Tawa is Professor of Music, Emeritus, at the University of Massachusetts, Boston. He is the author of numerous articles and books on American music history, including Arthur Foote: A Musician in the Frame of Time and Place, American Composers and Their Public: A Critical Look, and High-Minded and Low-Down: Music in the Lives of Americans, 1800-1861.






Wed, 5 Nov 2014 15:21:40 -0500