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“Jennifer Post's book is a quite successful attempt to put songs and instrumental music into the context of everyday life in rural communities in northern New England. It examines music's environments, music in its native habitat...This is a commendable book, one that advances our knowledge of community culture in northern New England.”—The New England Quarterly
A study of the vernacular musical tradition that took place in the farmhouses, town halls, school houses, and Grange halls in Vermont, New Hampshire, and Maine before and after the introduction of the phonograph and radio.
Today music in New England homes and communities is broadcast through the airwaves, preserved on audio recordings, and reinforced in jam sessions and dance clubs. Before 1940, however, residents in rural New England communities listened to and performed music in more limited social spheres. Their performance venues were largely in the home, neighborhood, village, or work place. Fewer opportunities existed at that time to bring new music into the community or to share local music more widely. When commerce and the media began to dominate the music scene with the phonograph and, later, the radio, exchanges among musicians and fans transcended the local and broadened spheres of influence and radically altered the musical landscape.
Drawing upon interviews and archival primary source materials, this book presents new insights into the musical practices and traditions of late-nineteenth- and early-twentieth-century rural Northern New England—a context that includes traditional ballads and hymns and, surprisingly, popular songs and commercial dance music. Jennifer Post lets the voices of ordinary people—the participants—tell us about their music and cultural history. Their stories are infused with issues of concern to ethnomusicologists, historians, and social scientists about landscape and community, gendered expression, imagined traditions, and historical representation.
The author conveys that historical traditions are not always what they seem. Post offers a startling new interpretation of vernacular music of the region: In contrast to many traditional scholars who have viewed ballads and folk music, particularly in Appalachia, as somehow a “purer” brand of lost musical traditions, Post finds that across Northern New England everyday people equally enjoyed and expressed themselves through an amalgam of folk ballads, dance music, and popular musical favorites. At the heart of this study is the recognition that the musical lives of individuals, their families, and their communities were constantly being negotiated in relation to social status, gender relations, local geography, and economic needs.
“A rich and thought-provoking volume.”—Vermont History
“A milestone in the literature on American's far northeastern corner. Addressing the need for a historical overview of the region's vernacular music and dance traditions, Post deftly applies ethnographic rigor to the telling of a story whose details offer insightful commentary on a familiar premise: continuity and change.”—Notes: Journal of the Music Library Association
“Most interesting is the comparison of men's and women's musical memories, performance spaces, and styles... Essential.”—Choice
“Makes a significant contribution to our understanding of the repertoires and roles that music and dance played in the social life of New England . . . there is nothing quite like this [book] which gathers a great deal of material in one place and serves as a good introduction to the broader topic .”—Jeffrey Titon, Professor of Music, Brown University
Click here for TABLE OF CONTENTS
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JENNIFER C. POST, Assistant Professor of Music at Middlebury College, is Faculty Curator of the Ethnomusicology Archives and of the Helen Hartness Flanders Collection of Folk Music.
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