What has industrial slaughter got to do with poetry? The Cow performs an autopsy of the twentieth century on the bodies of ruined women, ransacking texts from the Bible to Baudelaire and The Merck Veterinary Manual. Hopeless, sexual, scarified, and alive.
“No doubt about it, this is strong and original work. Scary in the best possible way.”—Richard Foreman
Alberta Prize Winner 2006
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ARIANA REINES was born in Salem, Massachusetts. She holds degrees from Barnard College and The European Graduate School, and she was a doctoral student at Columbia University. She lives in Brooklyn, where she is at work on a novel, The New Life, and a film.
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