Drawing
Courses concentrate on developing abilities to translate architectural ideas
into two and three-dimensional expression, utilizing freehand drawing,
architectural drafting tools, the actual making of objects, digital
technology and model making.
15. Drawing I
In this introductory course for the major and non-major the student will explore the pictorial
issues of mark, line, scale, space, light and composition. Although the majority of
assignments will be from the observed form, such as still life and the human figure,
non-observational creation will also be emphasized. Various kinds of charcoal, ink and pencil
will be the primary media used. The student will develop a critical facility to discuss
the work presented in class.
Supplemental course fee required. Dist: ART. Garand. Hamlin, Moss, Park, Randall,
Thompson, Associates.
20. Drawing II
In this course the student will reinforce drawing techniques and strategies learned in
Drawing I with an emphasis on discipline and increased mastery. Personal development of
content, critical thinking and the students' relationship to materials, subjects, and
techniques will be of importance.
Supplemental course fee required. Enrollment limited. Dist: ART. Associates.
22. Figure Drawing
A course based on drawing the human form. Most work will be done from direct observation.
Attention will be paid to issues of mark, light, volume, space, and composition. Students
will consider the complex relationship of perception, invention, and visual structure in the
context of working from the figure.
Enrollment limited. Prerequisite: Studio Art 15. Supplemental course fee required.
Dist: ART. Auten.
71. Drawing III
This course will place an emphasis on the student developing a personal voice through the
language of drawing. Commitment and discipline are mandatory and expected due to the
student's increased responsibility in shaping his or her trajectory of learning. Contemporary
issues and materials will take an increased role in informing the students decisions.
Critical thinking and decison making will be stressed. Observational drawing, abstraction,
figuration and more unconventional techniques are all open to the student.
Enrollment limited. Prerequisite: Studio Art 20. Supplemental course fee required.
Dist: ART. Associates.
76. Senior Seminar I
The first half of the two-term culminating experience in Studio Art. The seminar is devoted
to developing critical skills and a body of work predicated upon a student’s ability
to conceive, structure, sustain, and resolve an individual course of study in painting,
drawing, printmaking, sculpture, photography, or architecture. Work will be reviewed by the
faculty and an outside examiner. Supplemental course fee required. Dist: ART.
77. Senior Seminar II
A continuation of Studio Art 76, with the additional expectation that each student will
present at the conclusion of the term the body of work which will be his/her thesis. The
thesis must be judged by the Studio Art faculty to be technically and aesthetically sound.
From this work a selection will be made for the senior exhibition. Continuous individual and
group critiques will be given of student work by the principal instructor, Department faculty,
and visiting artists.
Prerequisites: Studio Art 76. Supplemental course fee required. Dist: ART.
90. Independent Study
All terms: Arrange
Students who have completed all levels of instruction within a given area may propose and
carry out an independent project in that area. This project must be supported and supervised
by a faculty member. The project proposal must be submitted in writing and approved by the
Chair.
Supplemental course fee required. Dist: ART. The staff.
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