The lettering craftsman is apt to be a perfectionist – he is likely to have a crystal clear alphabet somewhere in his mind; a perfect, proportionate set of images that shine with pythagorean light. All of his work in the real world of ink, paper, copper, steel and stone will be an attempt, with varying degrees of success, to approach the ideal unseen letterforms. He is a craftsman who shares something with the artist as well as the mathematician; it is his trade as well as his joy to weigh form and proportion in his mind.
--Stephen Harvard, ‘70
In 1989, friends, classmates, and colleagues of Stephen Harvard ’70 established the Stephen Harvard Memorial Lecture Series to honor the gifted typographer and graphic designer. During his Dartmouth years Harvard was a student of Ray Nash in the Graphic Arts Workshop (now called the Book Arts Workshop). Through his association with Ray Nash he received a grant from the American Friends of the Plantin-Moretus Museum in Antwerp where he studied engraving and the particular technique of punchcutting. Following his graduation from Dartmouth he worked as a professional stonecutter of which a number of examples grace various locations in Baker Library. He subsequently began a career at the Meriden-Stinehour Press as a book designer, calligrapher, and illustrator. He was the creator of the illustrations for Noel Perrin’s memoir, First Person Rural, published by David R. Godine. In the latter part of a much too abbreviated life and career, he began an association with Adobe Systems, a California computer enterprise, to adapt some of his own typeface designs for electronic typesetting. He also served as a member of the Executive Committee of the Friends and in 1986 and 1987 served as its chair. He died the following year at age 40.
Please check back for information regarding 2017 events.
Printing Down Under: Otago Printers-in-Residence, a talk by Dr. Donald Kerr, Special Collections Librarian at the University of Otago Library, Dunedin, New Zealand; and Sarah M. Smith, Program Manager, Book Arts Workshop, Dartmouth College. Wednesday, October 5, 2016
Douglass G.A. Scott, Senior Critic of Graphic Design at RISD and Yale University, Alvin Eisenman and Post-WWII Graphic Design, January 6, 2015
David R. Godine, publisher and Dartmouth class of 1966, A Printer's Work: Rocky Stinehour and His Legacy, Thursday, April 11, 2013
Typography in the Digital Age Looking Back and Looking Forward with the inaugural presenters of the Stephen Harvard Memorial Lecture, Matthew Carter, Lance Hidy, and Sumner Stone, Thursday, October 8, 2009
Dean Bornstein, Intelligent Design: The Perpetua Press, 2006
Roderick Cave, British Bibliographer and Book Historian, The Politician and the Printer, 2003
David H. Stam, Bibliotheca Universalis: Some Common Themes in Library History, 2000
Barry Moser, Tanakh and Testament: A Reprobate Tinkers with Holy Writ, 1999
Martin Antonetti, Le Caractère C'est Moi, 1998
Ellen Dunlap, Book History as Institutional Elixir: The Case of a Vernerable Library Eamin'd, 1997
Welford D. Taylor, Robert Frost, J. J. Lankes, and the Library, 1996
Claire Van Vliet, [untitled], 1995
Bruce Kennett, Dwiggins & Harvard, 1994
John Benson, Lettering in Stone, 1993
Alvin Eisenman, Printing as Memory, 1992
George Mackie, Books, Mostly Scholarly, and Some Ephemera, 1991
Barry Moser, Dante and Brer Rabbit, 1990
Presentations by Matthew Carter, Lance Hidy and Sumner Stone, with a panel discussion led by Rocky Stinehour, Typography in the Digital Revolution, 1989
Last Updated: 10/17/16