Symposium proceedings
can now be read in Computer Music Journal,
26, 4, Winter 2002 (MIT Press)
October 19, 2001
 All
events will take place in Faulkner Recital Hall, Hopkins
Center.
The symposium is open to the public, and admission is
free.
Computer music has been practiced since the late 1950s.
In order to facilitate this branch of experimental music,
many pieces of software have been written, either by
composers or programmers sympathetic to creative exploration
of music on computer. A remarkably small percentage
of these programs has survived and developed a following
among composers. The purpose of the symposium is to
bring together creators of the most significant software
for experimental music creation, to examine the success
of their programs and underlying creative paradigms,
and to look ahead to promising future directions.
Schedule:
10:00 RECEPTION
10:45 Eric Lyon: Introduction
11:00 Max Mathews: Music V
11:30 Gareth Loy: CARL
12:00 Barry Vercoe: Csound
LUNCH BREAK
1:30 Miller Puckette: Max
2:00 David Zicarelli: MSP
2:30 James McCartney: SuperCollider
BREAK
4:00 Round Table Panel Discussion
Links to information on symposium participants:
Gareth
Loy - architect of the CARL system
Max
Mathews - creator of the first computer music language
James
McCartney - creator of the SuperCollider language
Miller
Puckette - creator of the Max graphical MIDI language
Barry
Vercoe - creator of the ubiquitous Csound language
David
Zicarelli - developer of Max and its audio extension
MSP
Travel Information
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