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Possible
Discussion questions
Methods
and objects of study:
Have
the prospects for empirical study of the arts been significantly changed
by advances in cognitive neuroscience such as neuroimaging?
What case can
be made for the continuing importance of non-empirical research--even
by those most hospitable to integrating work in the cognitive sciences
and the arts--in studies of the forms, functions and effects of artworks?
Is there a special role for literary/artistic
evidence in the cognitive neurosciences, and how could it best be described?
What of objections that literary and
other artistic artifacts present too much complexity for a scientific
endeavor that is still in its early stages and has yet to resolve basic
theoretical issues?
Collaboration
Collaborations
among cognitive researchers and their colleagues in humanities departments
are at present quite rare. What practical steps might be taken to remedy
this?
If you have been involved in a collaborative
research project with an investigator from the humanities if you are a
scientific researcher (or vice versa), and it produced results, what was
most valuable about the collaboration?
If the collaboration did not lead to
results, what went wrong?
What would you most want to gain, as
a scientific researcher, from collaboration with a scholar of the arts
(or vice versa)?
Training
Are
new sorts of training programs, beginning as early as the undergraduate
years, now called for in preparing a new generation of cognitively-oriented
humanities scholars?
Are cross-disciplinary post-doctorate
fellowships a better option? What would these look like?
Within the current configuration of
your institution, could undergraduates be trained in cross-disciplinary
work in cognitive neuroscience and the arts?
What about graduate students with undergraduate
degrees in cognitive science/neuroscience? with undergraduate degrees
in the humanities?
Institutions
In your institution as currently configured,
what would a strong interdisciplinary program in cognitive science/neuroscience
and the arts look like?
What would it look like in your ideal
university?
What are the main institutional obstacles
to interdisciplinary work in the arts and cognitive sciences/neuroscience,
and how could they best be addressed?
Conferences and publication venues
Have
you participated in a major interdisciplinary conference integrating work
in cognitive science/neuroscience and the arts, and if so, what were its
successes and failures?
Is the time ripe for such conferences,
and how might they best be organized, on either a "one-off" or regular
basis?
Are there journals in your field hospitable
to interdisciplinary work in cognitive science/neuroscience and the arts?
Is the time ripe for a journal devoted to such interdisciplinary work?
for more specialized interdisciplinary journals?
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