• An American Family: A Televised Life. Minneapolis, MN: University of Minnesota Press, 2002.

• Guest Editor, "Travelogues and Travel Films," Visual Anthropology 15(1), January-March 2002.

• "'A Bastard Union of Several Forms': Style and Narrative in An American Family" in Documenting the Documentary: Close Readings of Documentary Film and Video. Eds. Barry Keith Grant and Jeannette Sloniowski. Detroit, MI: Wayne State University Press, 1998, 286-301.
  
  
• "'Can a Documentary Be Made of Real Life?': The Reception of An American Family" in The Construction of the Viewer: Media Ethnography and the Anthropology of Audiences. Eds. Peter Ian Crawford and Sigurjón Baldur Hafsteinsson. Denmark: Intervention Press in association with the Nordic Anthropological Film Association, 1996, 270-296.
  
  
• "1927 Cine Kodak Modèle B et Voiture Ford Modèle T: Un film de voyage de Kiyooka Eiichi" in Le film de famille: usage privé, usage public. Ed. Roger Odin. Paris: Editions Méridiens Klincksieck, 1995, 79-96.
  
  
• "Conventions of Sound in Documentary" in Sound Theory/Sound Practice. Ed. Rick Altman. New York: Routledge, Chapman, and Hall, 1992, 217-234.
  
  
• "Home Movies of the Avant-Garde: Jonas Mekas and the New York Art World" in To Free the Cinema: Jonas Mekas and the New York Underground. Ed. David James. Princeton: Princeton University Press, 1992, 294-312.

• "'To Travel is to Possess the World,'" Visual Anthropology 15(1), January-March 2002, 1-2.

• "Around the World in Eighty Minutes: The Travel Lecture Film," Visual Anthropology 15(1), January-March 2002, 91-114.

• "Un réalisateur en marge: Hara Kazuo et ses ‘documentaires d’action'," with Kenneth Ruoff, Documentaires 16 (Fall 2000), 91-108.
  

• "The Last Vaudevillian," Travelogue Magazine, 22, no. 2 (Fall 1999), 21-23.
  

• "An Ethnographic Surrealist Film: Luis Buñuel's Land Without Bread," Visual Anthropology Review 14, no. 1 (Spring/Summer 1998), 45-57.
  

• "Around the World in Eighty Minutes: The Travel Lecture Film," CineAction no. 47, 1998, 2-11.
  
  
• "Reminiscences of a Journey to the Flaherty Film Seminar," Wide Angle 17, no. 1-4 (1996), 66-69.
  
  
• "On the Trail of the Native's Point of View: The Göttingen International Ethnographic Film Festival, Göttingen, Germany, May 11-15, 1994," CVA Newsletter 2 (1994):15-18.
  
  
• "Rudes, mal faits, mais vivants: le cinéma indépendant américain," Documentaires 9 (Fall 1994), 179-187.
  
  
• "Japan's Outlaw Filmmaker: An Interview with Hara Kazuo," with Kenneth Ruoff, Iris: A Journal of Theory on Image and Sound, no. 16 (Spring 1993), 103-113.
  
  
• "Filming at the Margins: The Documentaries of Hara Kazuo," with Kenneth Ruoff, Iris: A Journal of Theory on Image and Sound, no. 16 (Spring 1993), 115-126.
  
  
• "Conventions of Sound in Documentary," Cinema Journal 32, no. 3 (Spring 1993), 24-40.
  
  
• "Forty Days Across America: Kiyooka Eiichi's 1927 Travelogues," Film History 4, no. 3 (Spring 1991), 237-256.
  
  
• "Home Movies of the Avant-Garde: Jonas Mekas and the New York Art World," Cinema Journal 30, no. 3 (Spring 1991), 6-28.
  
  
• "The Old and the New," Visual Anthropology 3, no. 1 (1990), 103-107.