Choose Your Own Classroom Adventure with inklewriter

IMG_0558.jpgMost eBooks are still pretty boring as objects: text, pictures, maybe a video or interactive visualization in a more experimental work. But that landscape may be changing, thanks in part to the number of cool free tools for building interactive books. One of these platforms, inklewriter, has some great potential for use with students in the classroom or for creating interactive stories or texts.

Last week, Inkle Studios released “Future Voices,” a curated collection of stories produced with its interactive story development tool. This slick iPad app features the tech behind Frankenstein, an interactive adaptation of Mary Shelley’s novel by Dave Morris. Play through any of these stories for a while and you’ll see everything from straightforward choices of action to complex moral dilemmas and experiments. You can also check out many experiments on the web, including Emily Short’s Holography–she’s also written some thoughts on inklewriter as a platform.

While Inform 7 (as discussed last week) uses a parser interface based on interpreting a broad range of user actions (get lamp, open door, look at book, etc.), Inklewriter uses an interaction model similar to ’80s Choose Your Own Adventure gamebooks, which recently came back into print and made the transition to eBooks. However, it goes beyond any of the simple page-shuffling models of those past books in part because it can keep track of decisions and variables from the user’s actions.

Inklewriter has a great tutorial “story” to introduce writers to the platform. The interface, shown below, is mostly free of distractions and built around creating story nodes and choices:

Click to embiggen.

Most of the complexity comes from keeping track of connections, which are identified as “loose ends” until they are linked to another story node, and adding conditions to the availability of options. Conditionals are based on if/then logic pulled from story exploration thus far–so for instance, if the player has visited their house and checked their email, they may have an option to head to a meeting that a player who ignored their email wouldn’t see. A built-in story mapping tool helps the author keep track of these conditions and connections.

Inklewriter and similar platforms like Varytale also offer the potential for mapping out interactive narratives for other settings. The above photo is from a “live” choice-based story stenciled onto the sidewalks of the Mission District in San Francisco–I can imagine planning such a story with students using one of these tools, then installing it in an appropriate setting.

Personally I’d like to try building a textbook in inklewriter, perhaps one for programming or another self-guided topic that could be paced and refocused according to user choices. Inklewriter offers a paid service to convert story files to Kindle eBooks, which can then be sold through Amazon. Anyone can publish web-based versions of their stories for free.

I’ll be trying out inklewriter in my Interactive Narrative class. Have you tried inklewriter or played through any of the stories on the platform so far? Share your experiences and ideas for using or making interactive books in the comments!

[CC BY 2.0 Lead Photo By Flickr User Enersauce, Screenshot from inklewriter]

Open Thread Wednesday: Re-entry Strategies

Dubai Wingsuit Flying TripMy classes start back today, bringing to an end the one-month period of midyear triage that some might call vacation time. While work inevitably continues during the holidays, that time is for many of us marked by a very different schedule and pace of life than the semester’s more rigid order of teaching and meetings.

By the first day back, all syllabi are (hopefully) ready and the major work of planning is done, yet I still find that starting off a new semester requires first surviving re-entry syndrome. Such feelings can accompany any adjustment with a major change of pace: Erin offered some strategies for handling the re-entry syndrome that comes with returning from a distant conference. Going from research or other work back to teaching is similarly disconcerting.

Many fellow ProfHackers have shared their tips for starting off on the right foot: Natalie gathered several time-management strategies for the new semester and Heather shared her new semester checklist, which I’m trying out myself this spring. And as George reminds us, planning can include life outside the university and even involve a major trip to the grocery store.

My beginning of semester rituals include planning upfront for appointment-based exercise (the early investment makes me feel guilty if I’m tempted to skip when crunch time hits later) and spending a week re-immersing myself in whatever I’m teaching. For programming courses, like the intro course I’m taking this semester, that means making new mini-games, while for more media studies oriented classes it means getting caught up with the latest readings. This helps ease the transition when I move into the classroom and back to topics that haven’t been at the forefront during the holiday, and gives me new ideas for how I want to approach my courses.

What are your strategies and rituals as spring semester begins? Share your re-entry management tips in the comments!

[Creative Commons Photo By Richard Schneider]

Google’s Ingress and Location-Based Learning

Augmented Reality flashmobThis month Google’s Niantic Labs quietly released a location-based game called Ingress that plays with data on multiple levels. The game, currently in invite-only beta, invites players to join either the Enlightenment or the Resistance and move through the physical world hunting “Exotic Matter”, and coincidentally generating data and pictures for Google on the way. These XM hotspots often center on places of actual historical or cultural significance, encouraging players to venture out into these locations.

Ingress opens with the warning: “Saving the world is dangerous. If you do not want to assume this risk, now is the chance to close this app and go back to your normal life.”

The next generation of augmented reality might look like something out of a science fiction movie, complete with head-mounted displays or constant data overlays transforming what we know at any given time. But even the current generation heralds interesting possibilities for location-based learning beyond the classroom.

Tools already exist to build simple experiences in line with the model behind Ingress, including ARIS, a mobile game creation tool out of the University of Wisconsin-Madison. ARIS allows for the construction of mission and exploration-based games with themes ranging from botany to history. [edited to fix truncated sentence--@JBJ]

Have you explored Ingress or another location-based game? What do you think about the possibilities of using these technologies for learning?

Open Thread Wednesday: Balancing Holiday Workload

Snowman Rising

I’m always surprised by the arrival of Thanksgiving break, and with it the reminder that the days of fall are truly numbered. Whether you’re buried under snow, visiting relatives, or grading this coming weekend, the turn of seasons often brings with it unexpected work from all directions.

To keep from being completely overwhelmed, I have a few strategies I’m trying to stick to for this Thanksgiving break:

  • Pre-Holiday Grading Marathon: There are few things harder to face than cutting out of festivities for a pile of grading, however exciting the student work might be. I aim to enter any celebration periods with all the grading behind me, even if it means a weekend lost in advance.
  • Internet-free Days: Whether it’s Thanksgiving, football, or a nice day for a good meal, there may be some days of celebration on your calendar. I like to mark off those days as completely internet-free: no email, no Facebook posts, and definitely no Twitter–not to mention no to-do list reminder pop-ups!
  • Exercise Daily: Even on mornings when waking up early is the last thing I want to do, I try to get out of bed and do *something* active during the winter months. If you’re a runner, there are Turkey Trots and similar post-indulgence events everywhere for company.

How do you manage the many demands of the changing of seasons and terms and its corresponding deadlines? Share your strategies in the comments!

[Lead Photo: Snowman Rising by Ed Kennedy (lostinmiami on Flickr) CC BY 2.0]

Presenting for Twitter at Conferences

Podium viewLast week, Adeline chronicled the recent “Twittergate” and considered the best practices for tweeting at conferences. I’m a huge fan of conference backchannels, particularly since my work is very interdisciplinary and it seems there’s an interesting conference every weekend that I wish I could attend. Twitter offers some insight into what happens in those spaces. How much insight? It depends–but not just on those tweeting. The presenters can play a big role in determining how accessible their work is to those looking in.

Why encourage tweeting of your work? There’s been lots of discussion of the value of academic tweeting and open exchange of ideas, which is important philosophically and part of why I tweet a conferences. But there’s also value to you as the presenter–feedback, a chance for extended conversations, and even the potential for finding collaborators, publishers, or new venues to share and grow your ideas.

As conference presenters, we won’t be the ones tweeting our talks. And there are lots of things we can’t control, like who shows up and whether they find our work interesting enough for “live” tweeting. But if you do value feedback and new insight into your work, planning for Twitter can be an important part of encouraging discussion–and as Alex Reid noted, “any possible discussion of one’s work would have the possibility of shaping one’s future work.”

Here are a few strategies I try to use at conferences to make my work easy to tweet:

  • Be on Twitter. Ryan Cordell has some great advice on how to start tweeting–and why. Signing on yourself is essential if you want to take advantage of a social media feedback on your talk. Not having a Twitter account might not stop people from tweeting about your work, but it will make it harder for you to find what they say and respond.
  • Include your Twitter handle on every slide. As Derek Bruff pointed out in his post on encouraging a conference backchannel, a visible hashtag is key to starting a conversation. The same goes for individual work: seeing your handle makes it easy for listeners to attribute quotes or direct questions your way. It also makes it easy for those attending to follow you and start conversations later. Consider book-ending your presentation with an introductory and closing tweet using the conference hashtag to make yourself known for any follow-up questions.
  • Use Twitter-friendly links and references. If you have a home page for a project, a blog post relevant to your talk, or even your presentation materials online, make sure it’s easy for those to be tweeted. You might use your own URL shortener, a dedicated subdomain, or schedule a tweet in advance to direct interested parties to your own version of the materials. If the conference only hosts abstracts, having your own home for the presentation will make it easier for others to get the whole picture of your research.
  • Be “tweetable.” Hilary Smith offered some advice for avoiding awkward book panels: consider how your big points would sound distilled to a tweet. As she points out: “…even if you’re not lucky enough to have an iPhone-happy audience member live-tweeting your brilliant thoughts, chances are you will still be more succinct and memorable than you would have been otherwise.” This doesn’t mean everything has to be a soundbite, but it can help you to think about the talk’s real focus and take-away points.
  • Avoid heavy jargon and excessive theory talk where possible. This doesn’t mean dumbing down your talk–but it is part of acknowledging and preparing for the potential range of your audience. Even the people in the room at your presentation might be from different backgrounds or disciplines from your own. At a big conference, non-specialists might have dropped by because they are interested–or because nothing else was on–and they can offer a lot of insight. Graduate students might have great perspective but not be fully into your field’s jargon yet. Try not to lock anyone out of the conversation unnecessarily.

Do you appreciate it when conference-goers tweet your presentation? How do you support good Twitter conversations around sharing your research?
[CC BY 2.0 Flickr Photo by ChrisDag]