INFORMATION

General Information · Class Schedule · On Reserve · Assignments

ON RESERVE

Films

Monday film screenings are at 7 pm in 13 Carpenter. Attendance is mandatory. The following films on reserve at the Jones Media Center.

The Black Cat
The Cabinet of Dr. Caligari
Casablanca
Detour
Double Indemnity
Dr. Ehrlich's Magic Bullet
The Exiles
A Foreign Affair
Fury
Hangmen Also Die
M
Scarlet Street
The Stranger
To Be or Not to Be
The Wolf Man

Books

Allen, Jerry C. Conradt Veidt: From 'Caligari' to 'Casablanca'. Pacific Grove, Ca: Boxwood, 1993.

Baxter, John. The Hollywood Exiles. New York: Taplinger, 1976

Beyer, Friedemann. Peter Lorre: Seine Filme, sein Leben. Munich: Heyne, 1988.

Cargnelli, Christian and Michael Omasta, eds. Schatten. Exil: Europäische Emigranten im Film Noir. Vienna: PVS Verleger, 1997

Chambers, Ian. Migrancy, Culture, Identity. London: Routledge, 1994.

Crowe, Cameron. Conversations with Wilder. New York: Alfred Knopf, 1999.

Doherty, Thomas. Projections of War: Hollywood. American Culture and World War II. New York: Columbia UP, 1993.

Dumont, Hervé. Robert Siodmak: Le Maître du film noir. Lausanne: L'age d'homme, 1981

Elsaesser, Thomas. Weimar Cinema and After. New York: Routledge, 2000

Eymann, Scott. Ernst Lubitsch: Laughter in Paradise. New York: Simon and Schuster, 1993.

Featherstone, Mike, ed. Global Culture: Nationalism, Globalization and Modernity. London: Sage, 1990.

Film Exil 8 (1996). (Special issue on Marlene Dietrich)

Friedrich, Otto. City of Nets: A Portrait of Hollywood in the 1940s. Berkeley: U of California Press, l977.

Gabler, Neal. An Empire of Their Own: How the Jews Invented Hollywood. New York: Doubleday, 1989.

Grob, Norbert, Rolf Aurich and Wolfgang Jacobson, eds. Otto Preminger. Berlin: Jovis, 1999

Gunning, Tom. The Films of Fritz Lang: Allegories of Vision and Modernity. London: BFI, 2000

Hardt, Ursula. From 'Caligari' to California. Erich Pommer's Life in the International Film Wars. Providence and Oxford: Berghahn, 1996.

Heilbutt, Anthony. Exiled in Paradise: German Refugee Artists and Intellectuals in America from the 1930s to the Present. Boston: Beacon Press, 1983

Hoffmann, Felix and Stephen D. Youngkin. Peter Lorre: Portrait des Schauspielers auf der Flucht. Munich, Belleville, 1998.

Horak, Jan-Christopher. Anti-Nazi-Filme der deutschsprachigen Emigration von Hollywood 1939-1945. Münster: Maks, 1985.

Jacobsen, Wolfgang and Hans Helmut Prinzler, eds. Siodmak Bros.: Berlin-Paris-London-Hollywood.

Jay, Martin. Permanent Exiles. New York: Columbia UP, 1985.

Kreimeier, Klaus. The Ufa Story: A History of Germany's Greatest Film Company, 1918-1945. Trans. Robert and Rita Kimber. New York: Hill & Wang, 1996.

Lyon, James K. Bertolt Brecht in America. Princeton, N.J.: Princeton UP, 1980

McGilligan, Patrick. Fritz Lang: The Nature of the Beast. New York: St. Martin's P, 1997.

Naficy, Hamid. The Making of Exile Culture: Iranian Television in Los Angeles. Minneapolis: U of Minnesota P, 1993.

Nowell-Smith, Geoffrey and Steven Ricci. Hollywood and Europe: Economics, Culture, National Identity: 1945-96. London: BFI, 1998

Petrie, Graham. Hollywood Destinies: European Directors in America, 1922-1931. Boston, Routledge, 1985

Prinzler, Hans Helmut and Enno Patalas, eds. Lubitsch. Munich: Bucher, 1984

Sikov, Ed. On Sunset Boulevard. The Life and Times of Billy Wilder. New York: Hyperion, 1998.

Steinbauer, Groetsch. Die lange Nacht der Schatten: Film Noir und Filmexil. Berlin: Dieter Bertz, 1977.

Töteberg, Michael. Fritz Lang. Reinbek: Rowohlt, 1985.

Youngkin, Stephen D., James Bigwood, and Raymond G. Cabana, Jr. The Films of Peter Lorre. Secaucus, NJ: Citadel Press, 1982.