German 43: Exiles and Émigrés
 

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BIBLIOGRAPHY

Sirk, Douglas

Amiel, Vincent. "Quelque leçcons a faire pleurer." Positif 259 (1982): 19-20.

Ascheid, Antje. "A Sierkian Double Image: The Narration of Zarah Leander as a National Socialist Star." Film Criticism 23.2-3 (1999): 46-73.

Babington, Bruce. "Written by the Wind: Sierck/Sirk's La Habanera (1937). Forum for Modern Language Studies 31.1 (1995): 24-36.

Basinger, Jeanine, ed. Douglas Sirk: The Complete American Period. University of Connecticut Film Society, 1974.

Biette, Jean-Claude and Dominique Rabourdin. "Entretien avec Douglas Sirk." Cahiers de cinéma 293 (1978): 13-22.

Bleys, Jean Pierre. "Quand Douglas Sirk s'appelait Detlef Sierck." Cahiers de la cinémathèque 32 (1981): 79-84.

Bockmayer, Walter. "Schande für uns und Ehre zu wenig." Film Forum November (1978): 8.

Bourget, Eithne and Jean-Loup. "Note sur Sirk et le theatre." Positif 142 (1972): 63-67

Bourget, Jean-Loup. "Situation de Douglas Sirk." Positif 137 (1972): 35-46. Reprinted as: "Sirk and the Critics." Trans. Eithne Bourget. Bright Lights 2.2 (1977-78): 6-10, 19.

---. "L'Apocalypse selon Douglas Sirk: Sur Douglas Sirk." Positif 142 (1972): 55-63.

---. "Tarnished Angels and A Time to Love." Trans. Peter Wollen. In Douglas Sirk. Eds. Laura Mulvey and Jon Halliday. Edinburgh: Edinburgh Film Festival, 1972. 67-77.

---. "Vers de nouveau rivages." Positif 281-282 (1984): 57-61.

---. Douglas Sirk. Paris: Edilig, 1984.

Brandlmeier, Thomas. "Mutter braucht kein Wasser, sie braucht Geld." Film-Korrespondenz 2 (1974): 7-12; 3 (1974): 6-10; 4 (1974): 24-26.

---. "Das Glück der Bürger. Zum Werk des Filmregisseurs Douglas Sirk." Medium 17.3 (1987): 9-14.

Bronfen, Elisabeth. "Zwischen Heimat und Fremde: Las Habanera (Detlef Sierck) und Imitation of Life (Douglas Sirk)." In: Heimweh: Illusionsspiele in Hollywood. Berlin: Volk und Welt, 1999. 245-326.

Brown, Geoff. "La Habanera." Monthly Film Bulletin 48 (1981): 13.

Butler, Judith. "Lana's 'Imitation': Melodramatic Repetition and the Gender Performative." Genders 9 (1990): 1-18.

Camper, Fred. "The Films of Douglas Sirk." Screen 12.2 (1971): 44-62.

---. "The Tarnished Angels." Screen 12.2 (1971): 68-93.

---. "A Time to Love and a Time to Die." Douglas Sirk. Ed. Laura Mulvey and Jon Halliday. Edinburgh: Edinburgh Film Festival, 1972. 79-88.

Camper, Fred. "Sirk's Masterworks." Soho Weekly News August 5, 1976: 21.

Coates, Paul. "Melodrama contra the Fantastic: Petro, Elsaesser and Sirk." In: The Gorgon's Gaze. Cambridge: Cambridge UP, 1991. 229-236.

Comolli, Jean-Louis. "L'aveugle et le mirroir." Cahiers du cinéma 189 (1967): 14-18.

Conroy, Marianne. "'No Sin in Lookin' Prosperous': Gender, Race, and the Class Formations of Middlebrow Taste in Douglas Sirk's Imitation of Life." In: David E, James and Rick Berg, ed. The Hidden Foundation: Cinema and the Question of Class. Minneapolis: U of Minnesota P, 1996. 114-137.

Crowther, Bosley. "All That Heaven Allows." New York Times February 29, 1956: 35.

Daney, Serge and Jean-Louis Noames. "Entretien avec Douglas Sirk." Cahiers du cinéma 189 (1967): 19-25 and 67.

Decaux, Emmanuel and Bruno Villien. "Entretien avec Douglas Sirk." Cinématographe 80 (1982): 24-30.

Dyer, Richard. "Imitation of Life." Movie 25 (1977): 47-52.

Elsaesser, Thomas. "Documents on Sirk/Postscript." Screen 12.2 (1971): 15-28.

---. "Tales of Sound and Fury: Observations on the Family Melodrama." Monogram 4 (1972): 2-15.

Fairley, Bruce. "Sirk and Bach: Fugal Construction in Written on the Wind." Cineaction! 8 (1987): 65-68.

Fassbinder, Rainer Werner. "Imitation of Life: Über Douglas Sirk." Fernsehen und Film 2 (1971): 8-13. Reprinted in: Filme befreien den Kopf. Ed. Michael Töteberg. Frankfurt am Main: Fischer, 1984. 11-24. English translation: "Six Films by Douglas Sirk." Trans. Thomas Elsaesser. In: Douglas Sirk. Ed Laura Mulvey and Jon Halliday. Edinburgh: Edinburgh Film Festival, 1972. 95-107. Also: "Imitation of Life: On the Films of Douglas Sirk." Trans. Krishna Winston. In: Rainer Werner Fassbinder, The Anarchy of the Imagination. Ed. Michael Töteberg and Leo A. Lensing. Baltimore and London: Johns Hopkins UP, 192. 77-89.

Feil, Ken. "Ambiguous Sirk-Camp-Stance: Gay Camp and the 1950s Melodramas of Douglas Sirk." Spectator 15.1 (1994): 31-49.

Fischer, Lucy, ed. Imitation of Life. New Brunswick, NJ: Rutgers UP, 1991.

---. "Lifestyles of the Rich and Famous: Imitation of Life." Post Script 10.2 (1991): 5-13.

---. "Postmodernity and Postmaternity: High Heels and Imitation of Life." In: Cinematernity: Film, Motherhood, Genre. Princeton, NJ: Princeton UP, 1996. 162-178.

---. "Sirk and the Figure of the Actress: All I Desire." Film Criticism 23.2-3 (1999): 136- 149.

Flitterman-Lewis, Sandy. "Imitation(s) of Life: The Black Woman's Double Determination as Troubling 'Other'." Literature and Psychology 34.4 (1988): 44-57.

Gallagher, Tag. "Douglas Sirk: White Melodrama." Film Comment 34 (1998): 16-27.

Gemünden, Gerd. "Introduction." Film Criticism 23.2-3 (1999): 1-13.

Godard, Jean-Luc. "Des larmes et de la vitesse." Cahiers du cinéma 94 (1959): 51-54. Reprinted as: "Tears and Speed." Trans.Susan Bennett. Screen 12.2 (1971): 95-98.

Göttler, Fritz. "Das Vorstellungsprojekt Sirk." Filmgeschichte 9/10 (1997): 39-42.

Göttler, Fritz and Frieda Grafe. "Imitation Is Life: Conversation zu Douglas Sirk." 24 Kinozeitschrift 12 (1997): 19-26.

Gonzalez Requena, Jesus. "En los limites del cine classico: La escritura manierista de Douglas Sirk." Eutopias 1.1-2 (1985): 87-118.

Grafe, Frieda. "Das Allerunwahrscheinlichste." Süddeutsche Zeitung April 26/27, 1980.

Grosz, Dave. "The First Legion: Vision and Perception in Sirk." Screen 12.2 (1971): 99-117.

Hake, Sabine. "The Melodramatic Imagination of Detlef Sierck: Final Chord and Its Resonances." Screen 38.2 (1997): 129-48.

Halliday, Jon. "Notes on Sirk's German Films." Screen 12.2 (1971): 8-13.

---. "All That Heaven Allows." In: Douglas Sirk. Ed. Laura Mulvey and Jon Halliday. Edinburgh: Edinburgh Film Festival, 1972. 59-66.

---. "Douglas Sirk." In: Cinema: A Critical Dictionary. Ed. Richard Roud. London: Secker & Warburg, 1980. 925-928.

---. Sirk on Sirk: Conversations with Jon Halliday. New and revised edition. London and Boston: Faber and Faber, 1997.

Haralovich, Mary Beth. "All that Heaven Allows: Color, Narrative Space, and Melodrama." In: Peter Lehman, ed., Close Viewings: An Anthology of New Film Criticism. (Tallahassee: Florida State UP, 1990). 57-72.

Harvey, James. "Sirkumstantial Evidence." Film Comment 14.4 (1978): 52-59.

Henry, Michael and Yann Tobin. "Entretien avec Douglas Sirk." Positif 259 (1982): 23-31.

Hernandez, Gustavo, ed. Douglas Sirk. Barcelona: Filmoteca Nacional de España, 1979.

Heung, Marina. "What's the Matter with Sara Jane? Daughters and Mothers in Douglas Sirk's Imitation of Life." Cinema Journal 26.3 (1987): 21-43.

Hoberman, J. "Twister." In: Vulgar Modernism: Writing on Movies and Other Media. Philadelphia: Temple UP, 1991. 248-251.

Holba, Herbert. "Deutsches Filmmelodram II. Zu neuen Ufern." F-Filmjournal 23 (1980): 39-43.

Horak, Jan-Christopher. "Sirk's Early Exile Films: Boefje and Hitler's Madman." Film Criticism (1999): 23.2-3: 122-135.

Horrigan, William James. An Analysis of the Construction of an Author: The Example of Douglas Sirk. Ph.D. Thesis Northwestern Univ., 1980.

Hunter, Tim. "Summer Storm." In: Douglas Sirk. Ed. Laura Mulvey and Jon Halliday. Edinburgh: Edinburgh Film Festival, 1972. 31-38.

Jansen, Peter W. "Kino der Träume, musikalisch untermalt: Die eigentümliche Renaissance des Douglas Sirk." Frankfurter Rundschau November 24, 1973.

---. "Wo Utopie vor die Hunde geht." epd Kirche und Film 2 (1974): 6-11.

Jeremias, Brigitte. "Das Gespenst der Vergangenheit bannen. Douglas Sirk—Die Geschichte einer Emigration." Frankfurter Allgemeine Zeitung Novermber 26, 1977.

---. "Filme aus Licht: Douglas Sirk." Frankfurter Allgemeine Zeitung (Magazin), April 29, 1982.

---. "Raubvogelnest: Begegnungen mit Douglas Sirk." epd Film 7 (1986): 2-3.

Kenesha, Ellen. "Sirk: There's Always Tomorrow and Imitation of Life." Women and Film 2 (1972): 51-55.

Klinger, Barbara. "Much Ado about Excess: Genre, Mise-en-Scène and the Woman in Written on the Wind." Wide Angle 11.4 (1989): 4-22.

---. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Bloomington: Indiana UP, 1994.

Koch, Gertrud. "From Detlef Sierck to Douglas Sirk." Trans Gerd Gemünden. Film Criticism 23.2-3 (1999): 14-32

Koepnick, Lutz. "En-Gendering Mass Culture: The Case of Zarah Leander." Gender and Germanness: Cultural Productions of Nation. Ed. Patricia Herminghouse and Magda Mueller. Providence and Oxford: Berghahn, 1997. 161-175.

---. "Sirk and the Culture Industry: Zu neuen Ufern and The Fisrt Legion." Film Criticism 23.2-3 (1999): 94-121.

Kuzniar, Alice. "Zarah Leander and Transgender Specularity." Film Criticism 23.2-3 (1999): 74-93.

Läufer, Elisabeth. Skeptiker des Lichts. Douglas Sirk und seine Filme. Frankfurt am Main: Fischer, 1987.

Lawrence, Amy. "Trapped in aTomb of Their Own Making: Max Ophul's The Reckless Moment and Douglas Sirk's There's Always Tomorrow." Film Criticism 23.2-3 (1999): 150-166.

Leander, Zarah. So bin ich und so bleibe ich. Gütersloh: Bertelsmann, 1958.

---. Es war so wunderbar: Mein Leben. Hamburg: Hoffmann und Campe, 1973.

Lehmann, Peter. "Thinking with the Heart." Wide Angle 3.4. (1980): 42 -47

Limmer, Wolfgang. "Das Leid der gefallenen Götter: Über die hermetische Welt des Melodramas." Fernsehen und Film 2 (1971): 13-15.

---. "Das Happy-End—ein Notausgang." Süddeutsche Zeitung November 18, 1973.

McCarten, John. "Magnificent Obsession." The New Yorker August 15, 1954: 50.

McKegney, Michael. "Imitation of Life." Film Comment 8.2 (1972): 71-73.

Masson, Alain. "Une triste et profond murmure d'applaudissements." Positif 259 (1982): 12-15.

Mayr, Brigitte. "Glaube, Liebe, Hoffnung: Shookproof von Douglas Sirk (1949)." In: Schatten. Exil: Europäische Emigranten im Film noir. Ed. Christian Cargnelli and Michael Omasta. Vienna: PVS, 1997. 289-295.

Meyer-Wendt, Jochen. "'Ich brauche etwas mehr Kino.' Detlef Siercks deutsche Melodramen." In: Das Ufa-Buch. Ed. Hans-Michael Bock and Michael Töteberg. Frankfurt am Main: Zweitausendeins, 1992. 382-384.

Morris, George. "Sirk's Imitations of Life." Soho Weekly News December 13, 1979: 40.

Mulvey, Laura and Jon Halliday, ed. Douglas Sirk. Edinburgh: Edinburgh Film Festival, 1972.

Mulvey, Laura. "Notes on Sirk and Melodrama." Movie 25 (1977-78): 53-56.

---. "Fassbinder and Sirk." In: Visual and Other Pleasures. Bloomington: Indiana UP, 1989. 45-48.

---. "Social Hieroglyphics: Reflections on Two Films by Douglas Sirk." In: Fetishism and Curiosity. London: British Film Institute, 1996. 29-39.

Orr, Christopher. "Closure and Containment: Marylee Hadley in Written on the Wind." Wide Angle 4.1 (1980): 29-34.

---. "Written on the Wind and the Ideology of Adaptation." Film Criticism 10.3 (1985): 1-8.

Petley, Julian. "Detlef Sierck." Cinegraph. Munich: Text + Kritik, 1987ff.

---. "Sirk in Germany." Sight and Sound 57.1 (1987-88): 58-61.

Pithon, Rémy. "Douglas Sirk et le cinéma suisse." Travelling (Documents Cinématheque Suisse) 49 (1977): 2-27.

---. "Les constances d'un style: Sur quelques films allemands de Douglas Sirk." Cinema 3 (1978): 13-25.

Prokosh, Mike. "Imitation of Life." In: Douglas Sirk. Ed. Laura Mulvey and Jon Halliday. Edinburgh: Edinburgh Film Festival, 1972. 89-93.

Rasner, Heinz Gerhard and Reinhard Wulff. "Begegnung mit Douglas Sirk." Filmkritik 203 (1973): 506-525.

Rhode, Carla. "Die große Liebe—Zarah Leander." In: Wir tanzen um die Welt. Ed. Helga Belach. Munich: Hanser, 1979. 134-36.

Reimer, Robert C. "Comparison of Douglas Sirk's All That Heaven Allows and R. W. Fassbinder's Ali: Fear Eats the Soul: Or, How Hollywood's New England Dropouts Became Germany's Marginalized Other." Literature/Film Quarterly 24.3 (1996): 281-87.

Rentschler, Eric. The Ministry of Illusion: Nazi Cinema and Its Afterlife. Cambridge, MA: Harvard UP, 1996.

Robinson, George. "America, Sex, and Sirk." Filmmaker's Review 1.5 (1976): 3-4.

Rogow, Lee. "Magnificent Obsession." The Saturday Review Juli 31, 1954: 36.

Rosenbaum, Jonathan. "Sirk's Works." Soho Weekly News August 27, 1980: 40.

Rüedi, Peter. "Imitation of Life: Die langen Abschiede des Douglas Sirk." Theater Heute 6 (1983): 1-8.

Sanders-Brahms, Helma. "Zarah." Jahrbuch Film 81/82. Ed. Hans-Günter Pflaum. Munich: Hanser, 1981. 165-72.

Sarris, Andrew. "Douglas Sirk." The American Cinema: Directors and Directions 1929-1968. New York: Dutton, 1968. 109-110.

---. "Fassbinder and Sirk: The Ties that Unbind." The Village Voice September 3, 1980: 37-38.

Schaub, Martin. "Geben Sie acht, Sirk, ich besitze sie." Tagesanzeiger Magazin (Zurich) March 23, 1974.

Schmidt, Eckhart. "Douglas Sirk über Stars." S!A!U! 6/7 (1979): 61-70.

Schütte, Wolfram. "Fünf ärgerliche Thesen und eine Frage." epd Kirche und Film 2 (1974): 5-6.

Schulte-Sasse, Linda. "Douglas Sirk's Schlussakkord and the Question of Aesthetic Resistance." The Germanic Review 73.1 (1998): 2-31.

Selig, Michael. "Contradiction and Reading: Social Class and Sex Class in Imitation of Life." Wide Angle 10.4 (1988): 13-23.

---. "Hollywood Melodrama, Douglas Sirk, and the Repression of the Female Subject (Magnificent Obsession)." Genders 9 (1990): 35-48.

Silberman, Marc. "Zarah Leander in the Colonies." In: Medien/Kultur. Schnittstellen zwischen Medienwissenschaft, Medienpraxis und gesellschaftlicher Kommunikation. Ed. Knut Hicketier and Siegfried Zielinski. Berlin: Spiess, 1991. 247-253.

---. German Cinema: Texts in Context. Detroit: Wayne State UP, 1995.

Slakmon, Ilan. "Les lys dans la cité: Sur Le temps d'aimer et le temps de mourir de Douglas Sirk." Positif 259 (1982): 16-18.

Stern, Michael. "Patterns of Power and Potency, Repression and Violence: An Introduction to the Study of Douglas Sirk's Films of the 1950s." Velvet Light Trap 16 (1976): 15-21.

---. "Interview." Bright Lights 2 (1977-78): 29-34.

---. Douglas Sirk. Boston: Twayne, 1979.

Sterneberg, Anke. "Spiegelbilder der Seele." Filmbulletin 2 (1985): 33-41.

Tobin, Yann. "Sept questions et sept résponses sur Écrit sur du vent de Douglas Sirk." Positif 259 (1982): 21-22.

---. "Une sequence pour l'eternité: Le quarante-sept derniers plans du Mirage de la vie de Douglas Sirk." Positif 281-282 (1984): 62-65.

Töteberg, Michael. "Ein Leben im Spiegel: Zeitungsartikel, Vorstandsprotokolle—Archivfunde zum Leben Detlef Siercks." Film-Dienst 9 (1997): 4-8.

Töteberg, Michael and Klaus Kreimeier, ed. Zu neuen Ufern (Ufa Magazin 14). Berlin: Deutsches Historisches Museum, 1992.

Trumpener, Katie. "Puerto Rico Fever: Douglas Sirk, La Habanera (1937) and the Epistemology of Exoticism." In: "Neue Welt/Dritte Welt." Interkulturelle Beziehungen Deutschlands zu Lateinamerika und der Karibik. Ed. Sigrid Bauschinger and Susan Cocalis. Tübingen and Basel: Francke, 1994. 115-140.

---. "The René Clair Moment and the Overlap Films of the 1930s: Detlef Sierck's April, April." Film Criticism 23.2-3 (1999): 33-45.

Wegner, Hart. "Melodrama as Tragic Rondo: Douglas Sirk's Written on the Wind." Literature/Film Quarterly 10.3 (1982): 155-161.

Willemen, Paul. "Distanciation and Douglas Sirk." Screen 12.2 (1971): 63-67.

---. "Towards an Analysis of the Sirkian System." Screen 13.4 (1972-73): 128-34.


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