German 43: Exiles and Émigrés

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Lang, Fritz

Appel, Alfred. "Fritz Lang's American Nightmare." Film Comment. 10.6 (1974): 12-17. Armour, Robert. Fritz Lang. Boston: Twayne, 1977.

Bellour, Raymond. "Le regard de Haghi." Iris 7 (1986): 5-13.

Benson, Edward. "Décor and Decorum, from La Chienne to Scarelt Street: Franco-US Trade in Film During the Thirties." Film and History 12.3 (1982): 57-64.

Bergstrom, Janet. "The Mystery of Blue Gardenia." In: Shades of Noir. Ed. Joan Copjec. London: Verso, 1993. 97-120.

Bernstein, Matthew. "Fritz Lang, Incorporated." Velvet Light Trap 22 (1986): 33-52.

---. "A Tale of Three Cities: The Banning of Scarlet Street." Cinema Journal 35.1 (1995): 27-52.

Bitomski, Hartmut, Harun Farocki, Wolfgang Gersch, eds. Filmkritik 223 (1975) (Special issue on Fritz Lang and Bertolt Brecht).

Bogdanovich, Peter. Fritz Lang in America. London: Studio Vista, 1967.

---. Who the Devil Made It: Conversations with Legendary Film Directors. New York: Ballatine, 1997. 170-234.

Brandlmeier, Thomas. "Lang-Renoir, Renoir-Lang." epd Film 10 (1984): 19-22.

Bronfen, Elisabeth. "Liebe als Rückkehr zum heimlichen Leid: Secret Beyond the Door." In: Heimweh: Illusionsspiele in Hollywood. Berlin: Volk und Welt, 1999. 409-464.

Burch, Noel. "Fritz Lang: German Period." Trans. Tom Milne. In: Cinema: A Critical Dictionary. Ed. Richard Roud. London: Secker & Warburg, 1980. 583-599.

Conley, Tom. "The Law of the Letter: Scarlet Street." In: Film Hieroglyphs: Ruptures in Classical Cinema. Minneapolis: U of Minnesota P, 1991. 20-45.

Carroll, Noël. "Lang, Pabst, and Sound." Ciné-Tracts 2.1 (1978): 15-23. Eisner, Lotte. Fritz Lang. New York: Da Capo, 1976.

Dadoun, Roger. "Metropolis: Mother—City—Mittler—Hitler." Camera Obscura 15 (1986): 137-174.

Dimendberg, Edward. "From Berlin to Bunker Hill: Urban Space, Late Modernity, and Film Noir in Fritz Lang's and Joseph Losey's M." Wide Angle 19 (1997): 62-93.

Eibel, Alfred, ed. Fritz Lang Tros Lumières. Paris: Flammarion, 1988.

Eisenschitz, Bernard et al. M—le maudit un film de Fritz Lang. Paris: Cinémathèque Française, 1990.

Eisenschitz, Bernard. Manhunt de Fritz Lang. Paris: Editions Yellow Now, 1992.

Elsaesser, Thomas. "Traps for the Mind and Eye." Sight and Sound 7.8 (1997): ***.

Flinn, Tom. "The Big Heat and The Big Combo: Rogue Cops and Mink-Coated Girls." Velvet Light Trap 11 (1974): ***.

Grafe, Frieda et al. Fritz Lang. Munich: Hanser, 1976.

Gunning, Tom. The Films of Fritz Lang: Allegories of Vision and Modernity. London: BFI, 2000.

Hall, J. "'A Little Trouble with Perspective: Art and Authorship in Fritz Lang's Scarlet Street." Film Criticism 21.1 (1996): 34-47.

Heinzlmeier, Adolf. Fritz Lang. Rastatt: Pabel, 1990.

Higham, Charles and Joel Greenburg. The Celluloid Muse: Hollywood Directors Speak. Chicago: Henry Regnery, 1969. 104-127.

Humphries, Reynold. Fritz Lang: Genre and Representation in His American Films. Baltimore: Johns Hopkins UP, 1989.

Jacobowitz, Florence. "The Man's Melodrama: Woman in the Window and Scarlet Street." CineAction 12-13 (1988): 64-73.

Jenkins, Stephen. Fritz Lang: The Image and the Look. London: BFI, 1971.

Jensen, Paul. The Cinema of Fritz Lang. New York: Barnes, 1969.

Kaes, Anton. M. London: BFI, 2000.

Kaplan, E. Ann. "The Place of Women in Fritz Lang's The Blue Gardenia." In: Women in Film Noir. Ed. E. Ann Kaplan. London: BFI, 1980. 83-90.

---. Fritz Lang: A Research and Reference Guide. Boston: G. K. Hall, 1980.

---. "Patterns of Violence Toward Women in Fritz Lang's While the City Sleeps." Wide Angle 3.4 (1980): ***.

---. "Ideology and Cinematic Practice in Lang's Scarlett Street and Renoir's La Chienne." Wide Angle 5.3 (1983): 32-43.

Knops, Tilo. "Kino des Übergangs: Fritz Langs auktorialer Stil." Merkur 9-10 (1991): 838-853.

Kurman, George. "Scarlet Street: A 'Remake' with a Key." Literature/Film Quarterly 18.2 (1990): 111-115.

Leblanc, Gerard and Brigitte Devismes. Le Double scénario chez Fritz Lang. Paris: Arman Colin, 1991.

Lehmann, Peter. "Another Nothing Man: Edward G. Robinson and Scarlet Street." In: Running Scared. Philadelphia: Temple UP, 1993. 85-104.

Levin, David. Richard Wagner, Fritz Lang and Die Nibelungen: The Dramaturgy of Disavowal. Princeton: Princeton UP, 1998.

McArthur, Colin. The Big Heat. London: BFI, 1992.

McGilligan, Patrick. Fritz Lang: The Nature of the Beast. New York: St. Martin's Press, 1997. McGivern, William. The Big Heat. London: Simon and Schuster, 1988.

Michel, Marie. M, le maudit, Fritz Lang Etude Critique. Paris: Nathan, 1993.

Morrison, James. "Masscult Modernism, Modernism Masscult: Cultural Hierarchy in Scarlet Street." In: Passport to Hollywood: Hollywood Films, European Directors. Albany: State University of New York P, 1998. 109-142.

Ott, Frederick W. The Films of Fritz Lang. Seacaus, NJ: Citadel P, 1979.

Pye, Douglas. "Running Out of Places: Fritz Lang's Clash By Night." Cineaction 52 (2000): 12-17. Schnauber, Cornelius. Fritz Lang in Hollywood. Vienna: Europa Verlag, 1986.

Schönemann, Heide. Fritz Lang: Filmbilder/Vorbilder. Berlin: Hentrich, 1992.

Smedley, Nick. "Fritz Lang Out-foxed: The German Genius as Contract Employee." Film History 1.4 (1990): ***.

---. "Fritz Lang's Trilogy: The Rise and Fall of a European Social Commentator." Film History 5.1 (1993): ***

Strack, Thomas. "Fritz Lang und das Exil: Rekonstruktionen einer Erfahrung mit dem amerikanischen Film." Exilforschung 13 (1995): 184-203.

Sturm, Georges. Fritz Lang: Films/Textes/References. Nancy: Presses Universitaires de Nancy, 1990."

Tatar, Maria. Lustmord: Sexual Murder in Weimar Germany. Princeton: Princeton UP, 1995.

Töteberg, Michael. Fritz Lang. Reinbek: Rowohlt, 1985.

Waldman, Diane. "The Childish, the Insane, and the Ugly: The Representation of Modern Art in Popular Films and Fiction of the Forties." Wide Angle 5.2 (1982): 52-65.

Welsche, Tricia. "Sound Strategies: Lang's Rearticulation of Renoir." Cinema Journal 39.3 (2000): 51-65.

Werner, Gösta. "Fritz Lang and Goebbels: Myths and Facts." Film Quartely 43.3 (1990): 24-27.

Wood, Robin. "Fritz Lang: 1936-1960." In: Cinema: A Critical Dictionary. Ed. Richard Roud. London: Secker & Warburg, 1980. 599-609.

---. "Lang and Brecht." CineAction 52 (2000): 4-11.

GERMAN 43: Exiles and Émigrés
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