German 43: Exiles and Émigrés
 

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BIBLIOGRAPHY

European and US Film History and Genres

Arendt, Hannah. Men in Dark Times. New York: Hartcourt, Brace & World, 1955.

Asper, Helmut G. "Hollywood—Hölle oder Paradies." Exilforschung 10 (1992): 187-200.

---. "'...um Himmels willen vergessen Sie Ihre Vergangenheit': Integrationsbemühungen und- probleme der Filmemigranten." Exilforschung 14 (1996): 186-199.

Asper, Helmut G. and Jan-Christopher Horak. "Three Smart Guys: How a Few Penniless German Émigrés Saved Universal Studios." Film History 11.2 (1999): 134-153.

Balio, Tino, ed. The American Film Industry. Madison: U of Madison P, 1985.

Barron, Stephanie, ed. Exiles and Émigrés: The Flight of European Artists from Hitler. Los Angeles: LACMA, 1997.

Baxter, John. The Hollywood Exiles. New York: Taplinger, 1976.

Belton, John, ed. Movies and Mass Culture. New Brunswick: Rutgers UP, 1996.

Benz, Wolfgang and Marion Neiss, eds. Deutsch-jüdisches Exil—das Ende der Assimilation? Identitätsprobleme deutscher Juden in der Emigration. Berlin: Metropol, 1994.

Berghaus, Günter. Theatre and Film in Exile: German Artists in Britain, 1933-1945. Oxford: Berg Publishers, 1989.

Bernstein, Matthew, ed. Controlling Hollywood: Censorship and Regulation in the Studio Era. New Brunswick, N.J.: Rutgers UP, 1999.

Bogdanovich, Peter. Who the Devil Made It: Conversations with Legendary Film Directors. New York: Ballatine, 1997.

Borchmeyer, Dieter and Till Heimeran, eds. Weimar am Pazifik: Literarische Wege zwischen den Kontinenten. Tübingen: Niemayer, 1985.

Bordwell, David. "The Case of Film Noir." In: The Classical Hollywood Cinema. Eds. David Bordwell, Janet Staiger, and Kristin Thompson. New York: Columbia UP, 1985. 74-77.

Bordwell, David, Janet Staiger, Kristin Thompson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia UP, 1985.

Boyers, Robert, ed. The Legacy of the German Refugee Intellectuals. New York: Schockem, 1972.

Bronfen, Elisabeth. Heimweh: Illusionsspiele in Hollywood. Berlin: Volk und Welt, 1999.

Browne, Nick, ed. Refiguring American Film Genres: Theory and History. Berkeley: U of California P, 1998.

Cameron, Ian, ed. The Book of Film Noir. New York: Continuum, 1993.

Cineaction 52 (2000). Special issue on Exiles and Émigrés.

Cargnelli, Christian and Michael Omasta, eds. Schatten. Exil: Europäische Emigranten im Film Noir. Vienna: PVS Verleger, 1997.

Ceplair, Larry and Steven England. The Inquisition in Hollywood: Politics in the Film Community 1930-1960. New York: Anchor Press/Doubleday, 1980.

Copjec, Joan, ed. Shades of Noir. New York: Verso, 1993.

Cripps, Thomas. Hollywood's High Noon: Moviemaking and Society Before Television. Baltimore: Johns Hopkins UP, 1997.

Davis, Mike. City of Quartz. New York: Vintage, 1992.

De Grazia, Victoria. "Mass Culture and Sovereignty: The American Challenge to European Cinema, 1920-1960." Journal of Modern History 61 (1989): 53-87.

Dimendberg, Edward. "From Berlin to Bunker Hill: Urban Space, Late Modernity, and Film Noir in Fritz Lang's and Joseph Losey's M." Wide Angle 19 (1997): 62-93.

---. Film Noir and the Spaces of Modernity. Forthcoming from Harvard UP.

Dittrich, Kathinka. "Spielfilm: Die Niederlande und die deutsche Emigration." In: Die Niederlande und das deutsche Exil. Eds. Kathinka Dittrich and Hans Würzner. Amsterdam and Königstein: Athenäum, 1982. 186-214.

Doherty, Thomas. Projections of War: Hollywood, American Culture, and World War II. New York: Columbia UP, 1993.

Elsaesser, Thomas. "Two Decades in Another Country: Hollywood and the Cinéphiles." In: Superculture: American Popular Culture and Europe. Ed. C.W.E. Bigsby. Bowling Green: Bowling Green UP, 1975.199-225.

---. "Moderne und Modernisierung: Der deutsche Film der dreißiger Jahre." montage/av 3.2 (1994): 23-40.

---. "Heavy Traffic: Perspektive Hollywood—Emigranten oder Vagabunden." In: London Calling: Deutsche im britischen Film der dreißiger Jahre. Ed. Jörg Schöning. Munich: Text & Kritik, 1993. 21-41.

---. "A German Ancestry to Film Noir?" Iris 12 (1996): 129-144.

---. "Hollywood Berlin." Sight and Sound 7.11 (1997): 14-17.

---. "Ethnicity, Authenticity, and Exile: A Counterfeit Trade? German Filmmakers and Hollywood." In: Home, Exile, Homeland: Film, Media, and the Politics of Place. Ed. Hamid Naficy. New York and London: Routledge, 1999. 97-123.

---. Das Weimarer Kino—aufgeklärt und doppelbödig. Trans. Michael Wedel. Berlin: Vorwerk 8, 1999.

---. Weimar Cinema and After: Germany's Historical Imaginary. London and New York: Routledge, 2000.

Exil: Sechs Schauspieler aus Deutschland. Berlin: Stiftung Deutsche Kinemathek, 1983.

Film History 11.2 (1999). Special issue on émigré filmmakers and filmmaking. Ed. Kristin Thompson.

Fraenkel, Heinrich. Unsterblicher Film. Munich: Kindler, 1956.

Freyermuth, Gundolf. Reise in die Verlorengegangenheit. Hamburg: Rasch & Röhring, 1990.

Friedrich, Otto. City of Nets: A Potrait of Hollywood in the 1940s. Berkeley: U of California P, 1997.

Frühwald, Wolfgang and Wolfgang Schieder, eds. Leben im Exil: Probleme der Integration deutscher Flüchtlinge im Ausland 1933-1945. Hamburg: Hoffmann und Campe, 1981.

Gabler, Neal. An Empire of Their Own: How the Jews Invented Hollywood. New York: Doubleday, 1989.

Garncarz, Joseph. "Hollywood in Germany: Die Rolle des amerikanischen Films in Deutschland." In: Der deutsche Film: Aspekte seiner Geschichte von den Anfängen bis zur Gegenwart. Ed. Uli Jung. Trier: Wissenschaftlicher Verlag Trier, 1993. 167-213.

Gumprecht, Holger. 'New Weimar' unter Palmen: Deutsche Schriftsteller im Exil in Los Angeles. Berlin: Aufbau, 1998.

Heilbut, Anthony. Exiled in Paradise: German Refugee Artists and Intellectuals in America from the 1930s to the Present. Boston: Beacon Press, 1983.

Higham, Charles and Joel Greenburg. The Celluloid Muse: Hollywood Directors Speak. Chicago: Henry Regnery, 1969.

Higson, Andrew and Richard Maltby. eds. "Film Europe" and "Film America": Cinema, Commerce and Cultural Exchange 1920-1939. Exeter: U of Exeter P, 1999.

Hilchenbach, Maria. Kino im Exil: Die Emigration deutscher Filmkünstler 1933-1945. Munich: Saur, 1982.

Hirsch, Foster. The Dark Side of the Screen: Film Noir. New York: Da Capo, 1981. Hoffman, Hilmar and Walter Schobert. Von Babelsberg nach Hollywood: Filmemigranten aus Nazideutschland. Frankfurt am Main: Deutsches Filmmuseum, 1987.

Horak, Jan-Christopher. "The Palm Trees Were Gently Swaying: German Refugees From Hitler in Hollywood." Image 23.1 (1980): ***

---. Middle European Émigrés in Hollywood (1933-1945): An American Film Institute Oral History under the Sponsorship of the Louis B. Mayer Foundation. Beverly Hills, 1977.

---. Fluchtpunkt Hollywood. Münster: Maks, 1984.

---. "Wunderliche Schicksalsfügung: Emigranten in Hollywoods Anti-Nazi-Film." Exilforschung 2 (1984): 257-270.

---. Anti-Nazi-Filme der deutschsprachigen Emigration von Hollywood 1939-1945. Münster: Maks, 1985.

---. "Filmkünstler im Exil: Ein Weg nach Hollywood." In: Die Künste und Wissenschaften im Exil 1933-1945. Eds. Edith Böhme and Wolfgang Motzkau-Valeton. Gerlingen: Lambert & Schneider, 1992. 231-254.

---. "Exilfilm, 1933-1945." In: Geschichte des deutschen Films. Eds. Wolfgang Jacobsen, Anton Kaes and Hans Helmut Prinzler. Stuttgart and Weimar: Metzler, 1993. 101-118.

---. "German Exile Cinema, 1933-1950." Film History 8 (1996): 373-389.

Hufen, Fritz and Thomas Jäschke, eds. Ausgestoßen: Schicksale in der Emigration. Munich: Goldmann, 1982.

Hughes, H. Stuart. The Sea Change: The Migration of Social Thought, 1930-1965. New York: Harper & Row, 1975.

Jackman, Jarrell C. and Carla M. Borden, eds. The Muses Flee Hitler: Cultural Transfer and Adaptation 1930-1945. Washington, D.C.: Smithonsian Institution P, 1983.

Jackmann, Jarell C. "German Emigrés in Southern California." In: The Muses Flee Hitler: Cultural Transfer and Adaptation 1930-1945. Eds. Jarell C. Jackman and Carla M. Borden. Washington, D.C.: Smithsonian Institution P, 1983. 95-110.

Jay, Martin. Permanent Exiles. New York: Columbia UP, 1985.

---. "The German Migration: Is There a Figure in the Carpet." In: Exiles and Émigrés: The Flight of European Artists from Hitler. Ed. Stephanie Barron. Los Angeles: LACMA, 1997. 326-337.

Johnson, E. Bond. "Der European Film Fund und die Exilschriftsteller in Hollywood." In: Deutsche Exilliteratur seit 1933: Band 1: Kalifornien. Eds. John Spalek and Joseph Strelka. Bern: Francke, 1976. 135-146.

Jones, Ken D. and Arthur F. McClure. Hollywood at War: The American Motion Picture and World War II. New York: Castle Books, 1973.

Kafka, Hans. "Are Jewish Themes Verboten?" Aufbau 9.35 (27 August 1943): 11.

---. "What Our Immigration Did For Hollywood—And Vice Versa." Aufbau 10.51 (22 December 1944): 40.

Kaplan, E. Ann, ed. Women in Film Noir.London: BFI, 1978.

Kerr, Paul. "Out of What Past? Notes on the B Film Noir." In: The Hollywood Film Industry. Ed Paul Kerr. London: Routledge, 1986. 220-244.

Klapdor, Heike. "Erforschung des Filmexils." In: Recherche: Film. Eds. Hans-Michael Bock and Wolfgang Jacobsen. Munich: Text & Kritik, 1997.

---. "Ein Exil soll das Land sein/Not a home, but an exile..." In: Wolfgang Jacobsen, Hans Helmut Prinzler and Werner Sudendorf, eds. Filmmuseum Berlin. Berlin: Filmmuseum Berlin - Deutsche Kinemathek and Nicolaische Verlagsbuchhandlung, 2000. 221-262.

Kleinschmidt, Erich. "Schreiben und Leben: Zur Ästhetik des Autobiographischen in der deutschen Exilliteratur." Exilforschung 2 (1984): 24-40.

Knop, Matthias. "Am Leben bleiben und warten: Die deutschsprachige Filmemigration 1933-1945 und das Filmthema Exil." In: Der deutsche Film: Aspekte seiner Geschichte von den Anfängen bis zur Gegenwart. Ed. Uli Jung. Trier: Wissenschaftlicher Verlag Trier, 1993. 111-138.

Koebner, Thomas. "Caligaris Wiederkehr in Hollywood? Stummfilm-Expressionismus, 'Filmemigranten' und Film noir." In: Innen-Leben: Ansichten aus dem Exil. Ed. Hermann Haarmann. Berlin: Fannei & Walz, 1995. 107-119.

Koepke, Wulf. "German-American and Exile Studies: Still a Divided Stream?" Monatshefte 86.3 (1994): 361-366.

Koepnick, Lutz. The Spiral Staircase: German Cinema Between Hitler and Hollywood. Forthcoming from U of California P.

Koppes, Clayton R. and Gregory D. Black. Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies. New York: Free Press, 1987.

Kracauer, Siegfried. "Hollywood's Terror Films: Do They Reflect an American State of Mind?" Commentary (August 1946): 132-136.

Kreimeier, Klaus. The Ufa Story: A History of Germany's Greatest Film Company, 1918-1945. Trans. Robert and Rita Kimber. New York: Hill & Wang, 1996.

Krohn, Claus-Dieter. Intellectuals in Exile: Refugee Scholars and the New School for Social Research. Trans. Rita and Robert Kimber. Amherst: U of Massachusetts P, 1993.

Krohn, Claus-Dieter, Patrick zur Mühlen, Gerhard Paul, Lutz Winckler, eds. Handbuch der deutschsprachigen Emigration 1933-1945. Darmstadt: Primus, 1998.

Krutnik, Frank. In a Lonely Street: Film Noir, Genre, Masculinity. London and New York: Routledge, 1991.

Leff, Leonard and Jerrold L. Simmons. The Dem in the Kimono: Hollywood Censorship and the Production Code from the 1920s to the 1960s. New York: Anchor Books, 1990.

Loacker, Armin and Martin Prucha, eds. Unerwünschtes Kino: Der deutschsprachige Emigrantenfilm 1934-1937. Vienna: Filmarchiv Austria, 2000.

Lustig, Frank. "Exil in Hollywood." epd Film 5 (1996): 16-18.

Mann, Klaus. "What's Wrong with Anti-Nazi-Films?" Decision August (1941): 27-35.

Mayr, Brigitte and Michael Omasta. "Film Im Exil: Das unerwünschte Kino der dreissiger Jahre." epd Film 6 (2000): 9-11.

Middell, Eike et al. Exil in den USA. Frankfurt am Main: Rödersberg, 1980.

Moeller, Hans-Bernhard. "Exilautoren als Drehbuchautoren." In: Deutsche Exilliteratur seit 1933: Band 1: Kalifornien. Eds. John Spalek and Joseph Strelka. Bern: Francke, 1976. 676-714.

Morrison, James. Passport to Hollywood: Hollywood Films, European Directors. Albany: State U of New York P, 1998.

Muscio, Guiliana. Hollywood's New Deal. Philadelphia: Temple UP, 1996.

Naremore, James. More Than Night: Film Noir and Its Context. Berkeley: U of California P, 1998.

Neve, Brian. Film and Politics in America: A Social Tradition. London: Routledge, 1992.

O'Brien, Geoffrey. Hard-Boiled America. New York: Van Nostrand Reinhold, 1981.

Palmer, R. Barton. Hollywood's Dark Cinema: The American Film Noir. New York: Twayne, 1994.

Palmier, Jean-Michel. Weimar en exil. Paris: Payot, 1988.

Petrie, Graham. Hollywood Destinies: European Directors in America, 1922-1931. Boston: Routledge, 1985.

Polan, Dana. Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950. New York: Columbia UP, 1986.

Radkau, Joachim. Die deutsche Emigration in den USA: Ihe Einfluss auf die amerikanische Europapolitik 1933-1945. Düsseldorf: Bertelsmann, 1971.

Rafter, Nicole Hahn. Crime Films and Society. Oxford: Oxford UP. Forthcoming.

Saunders, Thomas. Hollywood in Berlin. Berkely: U of California P, 1994.

Schatz, Thomas. Hollywood Genres: Formulas, Filmmaking, and the Studio System. New York: McGraw-Hill, 1981.

---. The Genius of the System: Hollywood Filmmaking in the Studio Era. New York: Pantheon, 1989.

---. Boom and Bust: The American Cinema in the 1940s. New York: Scribner's, 1997.

---. "World War II and the Hollywood 'War Film.'" In: Refiguring American Film Genres: Theory and History. Ed. Nick Browne. Berkeley: U of California P, 1998. 89-128.

Schnauber, Cornelius. Spaziergänge durch das Hollywood der Emigranten. Zurich: Arche, 1992.

Silver, Alain and James Ursini. Film Noir Reader. New York: Limelight, 1996.

---. The Noir Style. New York: Overlook P, 1999.

Silver, Alain and Elizabeth Ward, eds. Film Noir: An Encyclopedia of the American Mind. Woodstock: Overland, 1992.

Spalek, John and Joseph Strelka, eds. Deutsche Exilliteratur seit 1933: Band 1: Kalifornien. Bern: Francke, 1976.

Staiger, Janet. The Studio System. New Brunswick: Rutgers UP, 1995.

Steinbauer-Grötsch. Die lange Nacht der Schatten: Film noir und Filmexil. Berlin: Dieter Bertz, 1997.

Stephan, Alexander. Im Visier des FBI: Deutsche Exilschriftsteller in den Akten amerikanischer Geheimdienste. Berlin: Aufbau, 1998.

Täubert, Klaus. "Im Dienste der Volksfront: Hollywood Now." In: Wenn wir von gestern reden, sprechen wir über heute und morgen. Ed. Helmut G. Asper. Berlin: Sigma, 1991. 159-168.

Taylor, John Russell. Strangers in Paradise: The Hollywood Emigres 1933-1950. London: Faber and Faber, 1983.

Telotte, J. P. The Narrative Pattersn of Film Noir. Urbana: U of Illinois P, 1985.

Thompson, Kristin. "Early Alternatives to the Hollywood Mode of Production: Implications for Europe's Avant Gardes." Film History 5.4 (1993): 386-404.

Tudor, Andrew. "The Famous Case of 'German Expressionism': Film Movements." Image and Influence: Studies in the Sociology of Film. New York: St. Martin's P, 1974. 155-179. Reprinted in: Passport to Hollywood Film Immigrants. Don Whitemore and Philip Alan Cecchettini. New York: McGraw-Hill, 1976. 169-186.

Tuska, John. Dark Cinema: American Film Noir in Cultural Perspective. Westport: Greenwood P, 1984.

Weschler, Lawrence. "Paradise: The Southern California Idyll of Hitler's Cultural Exiles. In: Exiles and Emigrés: The Flight of European Artists from Hitler. Ed. Stephanie Barron. Los Angeles: LACMA, 1997. 341-357.

Whittemore, Don and Philip Alan Cecchettini. Passport to Hollywood Film Immigrants. New York: McGraw-Hill, 1976.

Williams, Linda. "Melodrama Revised." In: Refiguring American Film Genres: Theory and History. Ed. Nick Browne. Berkeley: U of California P, 1998. 42-88.


GERMAN 43: Exiles and Émigrés
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