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BIBLIOGRAPHY

Brecht, Bertolt

Alberts, Jürgen. Hitler in Hollywood oder: Die Suche nach dem Idealscript. Göttingen: Steidl, 1997.

Bitomski, Hartmut, Harun Farocki, Wolfgang Gersch, eds. Filmkritik 223 (1975) (Special issue on Fritz Lang and Bertolt Brecht).

Brewster, Ben. "Brecht and the Film Industry." Screen 16.4 (1975): 16-33.

Cook, Bruce. Brecht in Exile. New York: Holt, Rinehart, and Winston, 1982.

Elsaesser, Thomas. "From Anti-Illusionism to Hyper-Realism: Bertolt Brecht and Contemporary Film."In: Re-Interpreting Brecht: His Influence on Contemporary Drama and Film. Eds. Pia Kleber and Colin Visser. Cambridge: Cambridge UP, 1990. 170-185.

Fetscher, Iring. "Bertolt Brecht in America." In The Legacy of the German Refugee Intellectuals. Ed. Robert Boyers. New York: Schockem, 1972. 246-272.

Gemünden, Gerd. "Brecht in Hollywood: Hangmen Also Die and the Anti-Nazi Film." The Drama Review 164 (1999): 65-76.

Gersch, Wolfgang. Film bei Brecht: Bertolt Brechts praktische und theoretische Auseinandersetzung mit dem Film. Berlin: Henschel, 1975.

Grimm Reinhold and Henry Schmidt. "Bertolt Brecht and Hangmen Also Die." Monatshefte für den Unterricht 61.3 (1969): 232-249.

Lyon, James K. "Bertolt Brecht's Hollywood Years: The Dramatist as Film Writer." Oxford German Studies 6 (1971): 145-174.

---. Bertolt Brecht in America. Princeton, N.J.: Princeton UP, 1980.

Lyon, James K. and John B. Fuegi. "Bertolt Brecht." In: Deutsche Exilliteratur seit 1933: Band 1: Kalifornien. Eds. John Spalek and Joseph Strelka. Bern: Francke, 1976. 268-298.

Polan, Dana. "Daffy Duck and Bertolt Brecht: Toward a Politics of Self-Reflexive Cinema." In American Media and Mass Culture: Left Perspectives. Ed Donald Lazere. Berkeley: U of California P, 1987. 345-356.