|
|
|
Acting on the Past
Historical Performance Across the Disciplines
Mark Franko, ed.; Annette Richards, ed.
Wesleyan University Press
distributed by University Press of New England
Table of Contents
• List of Illustrations
• Actualizing Absence: The Pastness of Performance
• Absent Bodies Moving Through Time I. The Somatics of the Past: Helen and the Body of Tragedy
• Figural Inversion of Louis XIV’s Dancing Body
• Writing the breast, Performing the Trace: Madame d’Arblay’s Radical Prosthesis
• From Authenticity to Performativity II. Like a Performance: Performativity and the Historicized Body, From Bellori to Mapplethorpe
• Rhetorical Ductus, or Moving through a Composition
• C.P.E. Bach’s Free Fantasia and the Performance of the Imagination
• Performance on Paper: Rewriting the Story of Notational Progress
• Re-Enactments III. The Ambivalent Triumph: Corpus Christi in Colonial Cusco, Peru
• Gender Ambiguities and Erotic Excess in Seventeenth-Century Venetian Opera
• Christian Aerobics: The Afterlife of Exxlesia’s Moralized Motions
• Contributor Biographies
|
|
|
