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Global Soundtracks
Worlds of Film Music
Mark Slobin, ed.
Wesleyan University Press distributed by University Press of New England
Table of Contents
• Preview of Coming Attractions, Mark Slobin
• ONE: AMERICAN WORLDS
• The Steiner Superculture, Mark Slobin
• The Superculture beyond Steiner, Mark Slobin
• Subcultural Filmways, Mark Slobin
• TWO: GLOBAL FILM MUSICS
• CINEMA SYSTEMS
• That Bollywood Sound, Greg Booth
• Tamil Film Music: Sound and Significance, Joseph Getter and B. Balasubrahmaniyan
• The Influence of Hindi Film Music on Hausa Videofilm Soundtrack Music, Abdalla Uba Adamu
• Reflexive Cinema: Reflecting on and Representing the Worlds of Chinese Film and Music, Sue M.C. Tuohy
• CINEMA MOMENTS
• Music in Indonesian “Historical” Films: Reading “Nopember 1828,” Sumarsam
• ‘The Soul Has No Color’ but the Skin Does: “Angelitos Negros” and the Use of Blackface on the Mexican Silver Screen, ca. 1950, Marilyn Miller
• “Baianas,” “Malandros” and Samba: Listening to Brazil Through Donald Duck’s Ears, Eric A. Galm
• Diversity and Orality in Euzhan Palcy’s “La Rue cases-nègres,” Brenda F. Berrian
• Listening to Abd al-Halim Hafiz, Martin Stokes
• THREE: COMPARATIVE VISTAS
• Comparative Vistas, Mark Slobin
• Contributors
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